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The myth of Timarchus of Chaeronea within the piece is thought to be an imitation of Plato's Myth of Er (a part of the larger work, known as the Republic). [4] [8]It is noted that De genio Socratis is similar to Phaedo by Plato, in at least due to the fact that both works are concerned especially with the divine sign, that is the daimon, of Socrates.
The following is a list of the speakers found in the dialogues traditionally ascribed to Plato, including extensively quoted, indirect and conjured speakers.Dialogues, as well as Platonic Epistles and Epigrams, in which these individuals appear dramatically but do not speak are listed separately.
The Menexenus (/ m ə ˈ n ɛ k s ə n ə s /; Greek: Μενέξενος) is a Socratic dialogue of Plato, traditionally included in the seventh tetralogy along with the Greater and Lesser Hippias and the Ion.
Theages (Greek: Θεάγης, also known as "On Wisdom: Obstetric" (H ΠΈΡΙ ΣΟΦΙΑΣ᾽ ΜΑΙΕΥΤΙΚΟΣ) [1]) is a dialogue attributed to Plato, featuring Demodocus, Socrates and Theages.
The name is derived from τρέφω trepho, "to nourish".Strabo and several inscriptions refer to him as Zeus Trephonios. Several other chthonic Zeuses are known from the Greek world, including Zeus Μειλίχιος Meilikhios ("honeyed" or "kindly" Zeus), and Zeus Χθόνιος Chthonios ("Zeus beneath-the-earth"), which were other names for Hades.
In the dialogue, Socrates relates to Chaerephon the ancient myth of Halcyon, a woman who was transformed by the gods into a bird to be able to search the seas for her husband Ceyx, who was lost at sea. Skeptical of the account, Chaerephon questions the possibility that humans can be transformed into birds.
Gorgias (/ ˈ ɡ ɔːr ɡ i ə s /; [1] Greek: Γοργίας [ɡorɡíaːs]) is a Socratic dialogue written by Plato around 380 BC. The dialogue depicts a conversation between Socrates and a small group at a dinner gathering.
The Greek title Erastai is the plural form of the term erastēs, which refers to the older partner in a pederastic relationship.Since in Classical Greek terms such a relationship consists of an erastēs and an erōmenos, the title Lovers, sometimes used for this dialogue, makes sense only if understood in the technical sense of "lover" versus "beloved" but is misleading if taken to refer to ...