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The Death of Socrates (French: La Mort de Socrate) is an oil on canvas painted by French painter Jacques-Louis David in 1787. The painting was part of the neoclassical style, popular in the 1780s, that depicted subjects from the Classical age, in this case the story of the execution of Socrates as told by Plato in his Phaedo. [1]
Socrates runs into Phaedrus on the outskirts of Athens. Phaedrus has just come from the home of Epicrates of Athens, where Lysias, son of Cephalus, has given a speech on love. Socrates, stating that he is "sick with passion for hearing speeches", [Note 1] walks into the countryside with Phaedrus. Socrates is hoping that Phaedrus will repeat the ...
Aeschines and Socrates in Raphael's The School of Athens Pietro Testa's etching of the Symposium (1648) The Apotheosis of Homer (1827) The Death of Socrates (1787) Double Herm of Socrates and Seneca (3rd century AD) The School of Athens (c. 1511) Socrates (c. 1950) Socrates, his two Wives, and Alcibiades (1660s) Symposium (Feuerbach) (1869)
The Charioteer of Delphi, also known as Heniokhos (Greek: Ἡνίοχος, the rein-holder), is a statue surviving from Ancient Greece, and an example of ancient bronze sculpture. The life-size (1.8m) [ 1 ] statue of a chariot driver was found in 1896 at the Sanctuary of Apollo in Delphi . [ 2 ]
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
Plato's allegory of the cave by Jan Saenredam, according to Cornelis van Haarlem, 1604, Albertina, Vienna. Plato's allegory of the cave is an allegory presented by the Greek philosopher Plato in his work Republic (514a–520a, Book VII) to compare "the effect of education (παιδεία) and the lack of it on our nature".
Socrates, his two Wives, and Alcibiades is a large oil on canvas painting by the Dutch Golden Age artist, Reyer van Blommendael. It is today owned by the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 1377. [2] The painting was bought in 1934 in Paris as a work by Jan Victors, and was later attributed to Cesar van Everdingen.
Socrates gently berates the rhapsode for being Protean, which after all, is exactly what a rhapsode is: a man who is convincingly capable of being different people on stage. Through his character Socrates, Plato argues that "Ion’s talent as an interpreter cannot be an art, a definable body of knowledge or an ordered system of skills," but ...