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His brother Eladio Fernandez used to play flamenco professionally and moved to Paris. His first guitar was made by copying a friend's guitar, having some manual skills from having been a cabinet maker or "carpintero". The guitar was extremely good and so, in 1958, he began to build guitars full-time, opening his own workshop in Almería in 1960.
In the early 1950s, Julio Conde set up a new handicraft guitar center. From 1960 until 1988-89 they took over the shop and called themselves "Sobrinos de Domingo Esteso Conde Hermanos" (Esteso's Nephews, Conde Brothers) or "Hermanos Conde Sobrinos de Domingo Esteso" (Conde Brothers, Esteso's Nephews).
DeVoe originally had aspirations of becoming a professional player as he took up playing in the San Francisco Bay Area, but ventured into building guitars instead, influenced by his teacher's 1924 Santos Hernández guitar. [4] [5] His first guitar was made using an instruction book. [4] Lester Devoe has been a luthier since 1975.
A flamenco guitar is a guitar similar to a classical guitar, but with lower action, [1] thinner tops and less internal bracing. It usually has nylon strings, like the classical guitar, but it generally possesses a livelier, more gritty sound compared to the classical guitar. [2] It is used in toque, the guitar-playing part of the art of flamenco.
Roni Benisek, best known as Benise, is an American guitarist who describes his style as "Spanish guitar" or "nouveau flamenco." After growing up in Ravenna, Nebraska, Benise moved to Los Angeles, California, to pursue rock stardom. After hearing flamenco music on the radio, he switched from electric guitar to nylon-stringed classical guitar. [1]
His career as a recording artist, however, was much shorter (17 years, from 1952 - 1969), essentially beginning with his first long play record in 1952 ("El Pili Flamenco", Esoteric-2001, 1952), [11] in which he played guitar duos with Alberto Velez and accompanied the singer "El Pili"), and ending with his last double record album with the ...
Patrzałek started playing the guitar at age 10 when he picked up classical guitar under the guidance of local teacher Jerzy Pikor. [5] [15] After two years he started studying flamenco techniques, being taught by Spanish guitarist Carlos Pinana. Later, at age 13, Patrzalek started playing fingerstyle on an acoustic guitar.
Ramírez went on to build more guitars for Segovia, which became his guitars of choice after having for the past 25 years used those made by Herman Hauser. [6] More radical still, in 1963 he built a ten-string guitar for Narciso Yepes, to accommodate Yepes' unique chromatically balanced tuning, and later an eight-string guitar for José Tomás ...
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