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Ophiuchus (/ ˌ ɒ f i ˈ juː k ə s /) is a large constellation straddling the celestial equator. Its name comes from the Ancient Greek ὀφιοῦχος ( ophioûkhos ), meaning "serpent-bearer", and it is commonly represented as a man grasping a snake.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
Heroes in the Greek Heroic Age are often depicted on vases, expressing a portion of their story. Greek Hero Heracles is a popular icon among vases and paintings in early art. [6] Moments in history from this period are also captured in statues, such as Perseus with the head of Medusa, the Statue of Achilles, and the Pasquino Group. Polykleitos ...
Though the original etymology and meaning are "uncertain", [2] the name Ogyges may be related to the Greek Okeanos (Ὠκεανός), the Titan who personified the great world ocean. [3] The Greek word Ogygios (Ὠγύγιος), meaning Ogygian , came to mean "primeval, primal," or "from earliest ages" and also "gigantic".
Baucis and Philemon were an old married couple in the region of Tyana, which Ovid places in Phrygia, and the only ones in their town to welcome disguised gods Zeus and Hermes (in Roman mythology, Jupiter and Mercury respectively), thus embodying the pious exercise of hospitality, the ritualized guest-friendship termed xenia, or theoxenia when a ...
Tithonus has been taken by the allegorist to mean ‘a grant of a stretching-out’ (from teinō and ōnė), a reference to the stretching-out of his life, at Eos’s plea; but it is likely, rather, to have been a masculine form of Eos’s own name, Titonë – from titō, ‘day [2] and onë, ‘queen’ – and to have meant ‘partner of the Queen of Day’.
In Ancient Greek mythology, Olethros / ˈ ɒ l ɪ ˌ θ r ɒ s / (Greek: ὄλεθρος) was the personification of havoc and probably one of the Makhai. [citation needed]Olethros translates roughly in ancient Greek to "destruction", but often with a positive connotation, as in the destruction required for and preceding renewal.
It is told that after Heracles finished his Twelve Labours, he came to Oechalia to compete in archery for the hand of Iole; he won and yet he was refused the bride by Eurytus and his sons (all except Iphitus, who said that Iole should be given to Heracles), on the ground that he might once more kill his offspring as he had done to his children by Megara. [7]