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A tondo (pl.: tondi or tondos) is a Renaissance term for a circular work of art, either a painting or a sculpture. The word derives from the Italian rotondo , "round". The term is usually not used in English for small round paintings, but only those over about 60 cm (two feet) in diameter, thus excluding many round portrait miniatures – for ...
Ensō (c. 2000) by Kanjuro Shibata XX.Some artists draw ensō with an opening in the circle, while others close the circle.. In Zen art, an ensō (円 相, "circular form") [1] is a circle hand-drawn in one or two uninhibited brushstrokes to express the Zen mind, which is associated with enlightenment, emptiness, freedom, and the state of no-mind.
Artists' books (or book arts or book objects) are works of art that take the form of a book. They are often published in small editions, though they are sometimes produced as one-of-a-kind objects. They are often published in small editions, though they are sometimes produced as one-of-a-kind objects.
An edge painting that is a continuous scene wrapped around more than one edge is called a panoramic fore-edge painting. This is sometimes called a triple edge painting. [7] [8] A split double painting has two different illustrations, one on either side of the book's center. When the book is laid open in the center, one illustration is seen on ...
Engraving by Baldini after Botticelli, from the 1481 book. The drawings in the manuscript were not the first to be created by Botticelli for the Divine Comedy.He also illustrated another Commedia, this time a printed edition with engravings as illustrations, that was published by Nicholo di Lorenzo della Magna in Florence in 1481, and is mentioned by Vasari.
The smaller 1886 version of The Magic Circle, 88 cm x 60 cm (34.6 in x 23.6 in), in a private collection Miranda - The Tempest by J. W. Waterhouse (1916) A study for the painting, c. 1886, in a private collection. The Magic Circle is an 1886 oil painting in the Pre-Raphaelite style by John William Waterhouse. Two copies of the painting were ...
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While this painting is an homage to Ovid, Waterhouse spins the classical in imaginative and poetic ways. Anthony Hobson describes the painting as being "invested with an aura of menace, which has much to do with the powerful colour scheme of deep greens and blues [Waterhouse] employed so well."