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A stair, or a stairstep, is one step in a flight of stairs. A staircase or stairway is one or more flights of stairs leading from one floor to another, and includes landings, newel posts, handrails, balustrades, and additional parts. [4] In buildings, stairs is a term applied to a complete flight of steps between two floors.
Former woollen weavers' cottages in Wardle, Greater Manchester, England.. A weavers' cottage was (and to an extent still is) a type of house used by weavers for cloth production in the putting-out system sometimes known as the domestic system.
Pin weaving is a form of small-scale weaving traditionally done on a frame made of pins; the warp and weft are wrapped around the pins. Pin-woven textiles have a selvage edge all the way around. [ 1 ]
It is built with corner post construction on the ground floor, half-timbered style of timber framing on the upper floor and has a less common style of wood roof shingles than typical in America. American historic carpentry is the historic methods with which wooden buildings were built in what is now the United States since European settlement.
Wattle and daub is a composite building method used for making walls and buildings, in which a woven lattice of wooden strips called "wattle" is "daubed" with a sticky material usually made of some combination of wet soil, clay, sand, and straw. Wattle and daub has been used for at least 6,000 years and is still an important construction method ...
Weaving on a floor loom, using a beater that swings, suspended on a heavy wood frame. A reed is part of a weaving loom, and resembles a comb or a frame with many vertical slits. [1] It is used to separate and space the warp threads, to guide the shuttle's motion across the loom, and to push the weft threads into place.
A power loom is a mechanized loom, and was one of the key developments in the industrialization of weaving during the early Industrial Revolution. The first power loom was designed and patented in 1785 by Edmund Cartwright . [ 1 ]
In Navajo weaving, the slit weave technique common in kilims is not used, and the warp is one continuous length of yarn, not extending beyond the weaving as fringe. Traders from the late 19th and early 20th century encouraged adoption of some kilim motifs into Navajo designs. Textiles with representational imagery are called pictorial.
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