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In 2009, Ulrike Müller published the book, Bauhaus Women: Art, Handcraft, Design, which coincided with the Bauhaus exhibition at The Museum of Modern Art. Müller's book discusses twenty female members of the Bauhaus, their lives, works and legacies within the Bauhaus, as well as within the greater context of art history. [13]
She was assisted by many other key Bauhaus women, including Anni Albers, Otti Berger and Benita Otte. [4] Stölzl began trying to move weaving away from its ‘woman’s work’ connotations by applying the vocabulary used in modern art, moving weaving more and more in the direction of industrial design. By 1928, the need for practical ...
Corinna Isabel Bauer: Bauhaus and Tessenow students . Kassel University Library, Kassel 2010, p. 330–332 ( d-nb.info - dissertation, completed in 2003). Patrick Rössler , Elizabeth Otto : Women at the Bauhaus. Pioneering modern artists . Knesebeck, Munich 2019, ISBN 978-3-95728-230-9 , pp. 88-89. Ute Maasberg, Regina Prinz: The new ones are ...
Lucia Moholy struggled to receive recognition for her work. Her images were widely used for marketing and in the Bauhaus school’s sales catalogs, as well as Bauhaus-published books that she edited. [17] [15] An interest in the Bauhaus started to grow in the late 1930s, and she saw numerous catalogs of the Bauhaus printed with her lost images ...
Marianne Brandt (1 October 1893 – 18 June 1983) was a German painter, sculptor, photographer, metalsmith, and designer who studied at the Bauhaus art school in Weimar and later became head of the Bauhaus Metall-Werkstatt (Metal Workshop) in Dessau in 1928. Today, Brandt's designs for household objects such as lamps and ashtrays are considered ...
Michiko Yamawaki ( 山脇 道子 Yamawaki Michiko, 1910 – 2000), was a Japanese designer and textile artist who trained at the Bauhaus.She was one of four Japanese students to study at the Bauhaus in Dessau, studying drawing, weaving, and typography.
Margarete Heymann (August 10, 1899 – 11 November 1990), also known as Margarete Heymann-Löbenstein, Margarete Heymann-Marks, and Grete Marks, was a German ceramic artist of Jewish origin and a Bauhaus student. In 1923 she founded the Haël Workshops for Artistic Ceramics at Marwitz that she had to close in 1933 and settled in Jerusalem. [1]
In 1920, she enrolled at the Bauhaus in Weimar where she studied in the studio's weaving workshop. She was later employed in the workshop, working closely with Gunta Stölzl. Otte left the Bauhaus in 1925. [2] Kitchen of Haus am Horn. Although she worked primarily as a weaver, Otte, on a number of occasions, produced work beyond the medium.