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Appalachian Spring is an American ballet created by the choreographer Martha Graham and the composer Aaron Copland, later arranged as an orchestral work.Commissioned by Elizabeth Sprague Coolidge, Copland composed the ballet music for Graham; the original choreography was by Graham, with costumes by Edythe Gilfond and sets by Isamu Noguchi.
The song was largely unknown outside Shaker communities until Aaron Copland used its melody for the score of Martha Graham's ballet, Appalachian Spring, first performed in 1944. (Shakers once worshipped on Holy Mount, in the Massachusetts portion of the Appalachians).
Yet L.A. and its fires, the Ukraine war, even Hollywood, haunt “Appalachian Spring.” Copland and Graham exchanged early ideas about the ballet in 1943 while the composer was in Hollywood ...
Aaron Copland (/ ˈ k oʊ p l ə n d /, KOHP-lənd; [1] [2] November 14, 1900 – December 2, 1990) was an American composer, critic, writer, teacher, pianist, and conductor of his own and other American music. Copland was referred to by his peers and critics as the "Dean of American Composers".
Appalachian Spring; ballet (1944) Arrangement of Appalachian Spring for orchestra (1944) Letter from Home for orchestra (1944, revised in 1962) Midday Thoughts for piano (1944/82) Jubilee Variations for orchestra (1945) The Cummington Story; film score (1945) Symphony No. 3 for orchestra (1946) Arrangement of Danzón cubano for orchestra (1946)
Ballets by Aaron Copland. Pages in category "Ballets by Aaron Copland" The following 5 pages are in this category, out of 5 total. ... Appalachian Spring; B. Billy ...
Billy the Kid is a 1938 ballet written by the American composer Aaron Copland on commission from Lincoln Kirstein. It was choreographed by Eugene Loring for Ballet Caravan. Along with Rodeo and Appalachian Spring, it is one of Copland's most popular and widely performed pieces.
One of Graham's most known pieces that incorporates the American life theme is Appalachian Spring (1944). She collaborated with the composer Aaron Copland—who won a Pulitzer Prize for his work on the piece—and Noguchi, who created the nonliteral set. As she did often, Graham placed herself in her own piece as the bride of a newly married ...
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