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The On-line Guitar Archive (OLGA) was the first Internet library of guitar and bass tablature, or "tabs". Born from a collection of guitarist internet-forum archives, it was a useful resource for musicians of all genres for over a decade.
Shred guitar players often use electric solid-body guitars from brands such as Charvel, ESP, Fender, Gibson, Ibanez, Jackson, Kiesel/Carvin, Kramer and Schecter. Some shred guitarists use elaborately-shaped models by B.C. Rich or Dean, as well as modern versions of classic-radical designs like Gibson's Flying V and Explorer models.
He initially took guitar lessons but later became dissatisfied with local instructors and opted to teach himself. To develop his skills, he utilized various instructional resources, including Doug Marks's Metal Method , Ted Greene's Chord Chemistry and Modern Chord Progressions , REH instructional videos, and Robben Ford's instructional DVDs.
Tablature (or tab for short) is a form of musical notation indicating instrument fingering or the location of the played notes rather than musical pitches. Tablature is common for fretted stringed instruments such as the guitar, lute or vihuela, as well as many free reed aerophones such as the harmonica. Tablature was common during the ...
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Power Tab Editor is a freeware tablature authoring tool created by Brad Larsen for Windows. It is used to create guitar, bass and ukulele tablature scores, among many others. The current version uses the *.ptb file format. The Power Tab Editor is able to import MIDI tracks, and can export to ASCII Text, HTML, and MIDI formats.
Users of Ultimate Guitar are able to view, request, vote and comment on tablatures in the site's forum. Guitar Pro and Power Tab files can be run through programs in order to play the tablature. Members can also submit album, multimedia and gear reviews, as well as guitar lessons and news articles. Approved works are published on the website.
Robert Taylor at AllMusic gave Guitar Dominance! 1.5 stars out of 5, calling it "a rather mediocre debut" and that it "sounds like something from the '80s rather than the '90s." Regarding Stump's guitar work, he said "What Stump lacks in originality he makes up for in technique, but his blatant purloining of Yngwie Malmsteen 's style and licks ...
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