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Producers: Charles Green and Brian Stone. Running time incorrectly listed on the album's cover as 3:00. "Mr. Soul" – 2:35 Recorded April 4, 1967. Lead vocal: Neil Young. Bass: Palmer. "Sit Down, I Think I Love You" (Stills) – 2:30 Recorded August 1966, Gold Star Studios, Los Angeles, California. Lead vocal: Stills, Richie Furay.
In 1991, Greenway became the subject of his own hour-long TV special entitled Brian Greenway and Friends. [7] [8] The show featured Greenway and his ensemble of friends (keyboardist Jimmy Tanaka, guitarist Jeff Smallwood, bassist Jeff Nystrom, supporting vocalist and percussionist Nanette Workman, and former Mashmakhan/April Wine drummer Jerry Mercer) performing songs from both his 1988 solo ...
Greatest Hits is the first greatest hits album by English singer Samantha Fox. It was released on 14 September 1992 by Jive Records. The album contains material from Fox's first four studio albums, a previously unreleased song and two non-album B-sides. An accompanying music video compilation was released on VHS on 21 September 1992. [3]
A second version was also made, and is a completely different edit, featuring sepia-tinted footage of Mercury through all his years with the band. This version was featured on both Queen Rocks: The Video and Greatest Hits III VHS releases, both of which were released in 1998 and 1999, respectively.
One Stop Carnival is the debut and sole studio album of American actor Brian Green. It was released on November 5, 1996, by Yab Yum Entertainment and 550 Music (which was a subsidiary of Epic Records). [4]
Brian Austin Green is reflecting on the one thing he did that really bothered ex-wife Megan Fox. “It annoyed Megan when you chewed because she thought she could hear you,” Tori Spelling ...
Brian Austin Green and Shannen Doherty starred in Beverly Hills, 90210 in the ’90s, and now, 30 years later, Green is praising his former colleague as she fights against cancer. “She’s ...
In 1990, British reggae-pop band UB40 released a cover of "Here I Am (Come and Take Me)" as the second single from their ninth studio album, Labour of Love II.It stalled at number 46 on the UK Singles Chart but proved to be more successful elsewhere, peaking at number three in Australia, number six in New Zealand, and number seven on the US Billboard Hot 100.