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He is most recognized today as the voice who recites the epigraph each day before the program begins: "Like sands through the hourglass, so are the Days of Our Lives." From 1966 to 1994 he would also intone, "This is Macdonald Carey, and these are the Days of Our Lives." (After Carey's death, the producers, out of respect for Carey's family ...
"Still-Life with a Skull" by Philippe de Champaigne, c. 1671. The sands of time is an English idiom relating the passage of time to the sand in an hourglass.. The hourglass is an antiquated timing instrument consisting of two glass chambers connected vertically by a narrow passage which allows sand to trickle from the upper part to the lower by means of gravity.
Almost unchanged since the show's debut in November 1965, Days of Our Lives ' s title sequence shows an hourglass, with sand trickling to the bottom against the backdrop of a partly cloudy sky, accompanied by the spoken words, "Like sands through the hourglass, so are the Days of Our Lives."
Hourglass cursor. Recognition of the hourglass as a symbol of time has survived its obsolescence as a timekeeper. For example, the American television soap opera Days of Our Lives (1965–present) displays an hourglass in its opening credits, with narration by Macdonald Carey: "Like sands through the hourglass, so are the days of our lives."
Anne Ross Cousin (née Cundell; 27 April 1824 – 6 December 1906) was a British poet, musician and songwriter.She was a student of John Muir Wood and later became a popular writer of hymns, most especially "The Sands of Time Are Sinking", while travelling with her minister husband from 1854 to 1878.
Leaves of Grass (Book XXXIV. Sands at Seventy) "The Rounded Catalogue Divine Complete" " The devilish and the dark, the dying and diseas’d," Leaves of Grass (Book XXXV. Good-bye my Fancy) A Boston Ballad [1854] " To get betimes in Boston town I rose this morning early," Leaves of Grass (Book XX. By the Roadside) 1855 A Broadway Pageant
Theodore Meir Bikel (/ b ɪ ˈ k ɛ l / bih-KEL; May 2, 1924 – July 21, 2015) was an Austrian-American actor, singer, musician, composer, unionist, and political activist.. He made his stage debut in Tevye the Milkman in Mandatory Palestine, where he lived as a teenager.
Richie Unterberger wrote in his book, Fleetwood Mac: The Complete Illustrated History, that the song was a "perfect example of the new keyboard-driven Fleetwood Mac sound". [13] In their book, Fleetwood Mac: Rumours n' Fax, Roy Carr and Steve Clarke stated that the song was an unusual choice for a single and resembled some of the music from The ...