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Extensive wiring can be seen on this bonsai specimen. Wrapping copper or aluminium wire around branches and trunks allows the bonsai designer to create the desired general form and make detailed branch and leaf placements. When wire is used on new branches or shoots, it holds the branches in place until they lignify (convert into wood). The ...
Wiring branches and trunks allows the bonsai designer to create the desired general form and make detailed branch and leaf placements. [55] Clamping using mechanical devices for shaping trunks and branches; bending of branches or trunks may also be achieved by the use of tension cables or guy-wires. [56]
Tree shaping (also known by several other alternative names) uses living trees and other woody plants as the medium to create structures and art. There are a few different methods [2] used by the various artists to shape their trees, which share a common heritage with other artistic horticultural and agricultural practices, such as pleaching, bonsai, espalier, and topiary, and employing some ...
A number of styles describe the trunk shape and bark finish. For example, a bonsai with a twisted trunk is nebikan (also nejikan (ねじ幹)), and one with a vertical split or hollows is sabakan. The deadwood bonsai styles identify trees with prominent dead branches or trunk scarring. [3]: 123–124 Trunk and root placement.
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Historical Bonsai marker 201 Goshin (courtesy of US National Arboretum) Goshin ( Japanese : 護神 , "protector of the spirit") [ 1 ] is a bonsai created by John Y. Naka . It is a forest planting of eleven Foemina junipers ( Juniperus chinensis 'Foemina'), the earliest of which Naka began training into bonsai in 1948.
The Magician: the Bonsai Art of Kimura 2 was released in 2007 by Stone Lantern. [13] A Spanish translation, Masahiko Kimura: el técnico mágico del bonsai actual was published in 1988 by Ediciones Tyris, S.A., His 9-video 4-hour "Kimura Master Class" course was made available by Bonsai Empire in 2020.
In Orange County, Naka and four friends founded a bonsai club in November 1950, which is known today as the California Bonsai Society. He became a very important force in American bonsai art in the 1950s–60s. He was a driving force in the spread of bonsai appreciation and the practice of bonsai art in the West and elsewhere.