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The Kerch style / ˈ k ɜːr tʃ /, also referred to as Kerch vases, is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC.
The lower body is shaped like the calyx of a flower, and the foot is stepped. The psykter-shaped vase fits inside it so well stylistically that it has been suggested that the two might have often been made as a set. It is always made with two robust upturned handles positioned on opposite sides of the lower body or "cul". [7]
Pot glass; Pot, 285ml (10 fl. oz.) Australian beer glass (Queensland and Victoria) Schooner, 425ml (15 fl. oz.) Australian beer glass, 285 ml (10 fl. oz.) in South Australia; Tankard, a large drinking cup, usually with a handle and a hinged cover; Wheat beer glass, for wheat beer; Yard glass, a very tall, conical beer glass, with a round ball ...
Another of his vases depicts women, their skin indicated by white paint. This technique, typical of Corinthian and Attic vase painting, is not otherwise known from Laconian workshops. A similar image shows Herakles, apparently fighting two amazons. Their faces are white, their legs not visible. The Arkesilas Painter primarily painted cups.
As defined and used by Southwestern archaeologists, a ware is "a large grouping of pottery types which has little temporal or spatial implication but consists of stylistically varied types that are similar technologically and in method of manufacture", and "a defined ware is a ceramic assemblage in which all attributes of paste composition (with the possible exception of temper) and of surface ...
The Lycurgus Cup, lit from behind, with a modern foot and rim.. The function of cage cups is debated. The inscriptions strongly suggest that they were cups to be used, and perhaps passed around, for ceremonial drinking at feasts, but it has been suggested that the shape of the out-turned rim of the beakers and the missing stand of all known vessels means that all diatreta were like the example ...
The François Vase, (or François Krater), is a large Attic volute krater decorated in the black-figure style. It stands at 66 centimetres (26 in) in height and was inspired by earlier bronze vases. It stands at 66 centimetres (26 in) in height and was inspired by earlier bronze vases.
The vases have been described as the "best-known porcelain vases in the world" [1] and among the most important blue-and-white Chinese porcelains. [2] Though they are fine examples of their type, their special significance comes from the date in the inscriptions on the vases. [1]
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