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L-R - Banjo-mandolin, standard mandolin, 3-course mandolin, Tenor mandola. The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin. It is a soprano banjo. [1] It has been independently invented in more than one country, variously being called mandolin-banjo, banjo-mandolin, banjolin and ...
They sold 250,000 pieces in 1923 and 500,000 in 1930, including various models of guitars, banjos, and mandolins. In the late 1930s, the firm began making violins again after a 19-year hiatus. They also bought brand names from the bankrupt Oscar Schmidt Co.—La Scala, Stella , and Sovereign.
The repertoire is eclectic, [2] and a mix of instrumental and vocal pieces. It draws on traditional music of Britain, Ireland, China and the Americas, swing, original music by band leader Simon Mayor, and adaptations of pieces from the classical repertoire for the core instrumental line up of two mandolins, classical guitar and mandobass.
Regal made a line of mandolins for Perlberg & Halpin of New York to brand Blue Comet. In the early 1930s, Regal had licensed the use of Dobro resonators. When National moved from California to Chicago, Regal acquired the rights to manufacture Dobro instruments. That made Regal become another producer of "house brand" guitars before World War II.
Levin was a Swedish manufacturer of musical instruments founded by Herman Carlson Levin. Active from 1900 to 1978, the company produced over half a million instruments, mostly guitars, but also mandolins, banjos and lutes, making Levin the largest instrument manufacturer in Scandinavia for many years.
A typical line-up of the band when Kelly joined was Imor Byrne (fiddle), Colin Beggan (guitar), John Caulfield (fiddle), Niall Toner (mandolin) and Richard Hawkins (banjo). The band's reputation was such that many visiting U.S. musicians would jam on stage with them and so Kelly got to hear and play with Bluegrass legends like Peter Rowan , Tex ...
Lyon & Healy pedal harp (1891–95) George W. Lyon, a native of Northborough, Massachusetts; and Patrick J. Healy, born in Mallow, Ireland, founded the company in 1864, after they moved from Boston to start a sheet music shop for music publisher Oliver Ditson.
The population was exposed to French culture and music, which included the mandolin. The influence of French culture was strong enough to affect Vietnamese music. They began writing lyrics to French pop music in Vietnamese and teaching themselves other western instruments including mandolin, guitar, Hawaiian guitar and banjo. [115]
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