Search results
Results from the WOW.Com Content Network
Icon of the Deesis – St. Catherine's Monastery Sinai, 12th century Great Deesis with Prophets; 16th century; Walters Art Museum In Byzantine art, and in later Eastern Orthodox iconography generally, the Deësis or Deisis (/ d eɪ ˈ iː s ɪ s /, day-EE-siss; Greek: δέησις, "prayer" or "supplication") is a traditional iconic representation of Christ in Majesty or Christ Pantocrator ...
Five-panel Deesis row, Iconostasis of the Cathedral of the Annunciation in the Moscow Kremlin by Theophanes the Greek, 1405 – the first five-row Iconostasis. The templon gradually replaced all other forms of chancel barriers in Byzantine churches in the 6th, 7th, and 8th centuries except in Cappadocia. As late as the 10th century, a simple ...
Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
Deesis with Saint Paul and Saint Catherine is an oil on panel painting by Giulio Romano, executed c. 1520, now in the Galleria nazionale di Parma. Its title refers to deesis , a subject in Christian iconography, shown here with Paul of Tarsus and Catherine of Alexandria in the lower register and the Virgin Mary and John the Baptist in the upper.
Theosis (Ancient Greek: θέωσις), or deification (deification may also refer to apotheosis, lit. "making divine"), is a transformative process whose aim is likeness to or union with God, as taught by the Eastern Catholic Churches and the Eastern Orthodox Church; the same concept is also found in the Latin Church of the Catholic Church, where it is termed "divinization".
The Deesis mosaic in the Hagia Sophia in Constantinople. The Pantocrator figure first became half-length because large versions filled the semi-dome of the apse of many, if not most, decorated churches. A full-length figure would need to be greatly reduced for the head to make maximum impact from a distance (because of the flattening at the top ...
(In the Greek and Antiochian liturgical tradition, the Archangel Michael is usually stationed on the north (i.e. "exit") door, and Gabriel on the south (i.e. "entrance") door, and that it is far more common in modern times to see the Archangels than the Deacons on these doors). These doors may also be casually referred to as the "side doors".
So during the 10th and 11th centuries, even states that were at odds with the Byzantine Empire imitated Byzantine style and sought out Greek artists to create religious mosaic cycles. For instance, the Norman King Roger II of Sicily was actively hostile to Byzantium, but he imported Greek craftspeople to create the mosaics for Cefalù Cathedral ...