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The term Hazuri Ragi, also spelt as a Hazoori Ragi ("designated cantor" [3]) is a title that refers to a ragi who serve at the Golden Temple in Amritsar who can perform shabad hymns as per their traditionally prescribed raag as designated by the Guru Granth Sahib. [4] [2] The title is often appended to the names these ragis. [2]
Gurbani (Punjabi: ਗੁਰਬਾਣੀ, pronunciation: [ɡɝbaːɳiː], lit. the Guru's words) is a Sikh term, very commonly used by Sikhs to refer to various compositions by the Sikh Gurus and other writers of Guru Granth Sahib. In general, hymns in the central text of the Sikhs, the Guru Granth Sahib, are called Gurbani.
A raga or raag (Punjabi: ਰਾਗ رَاگَ ; Rāg) is a complex structure of musical melody used in Indian classical music and is the central native organizing and classification mechanism and scheme present within the Guru Granth Sahib, where various compositions and sections of the text are privided primarily based upon their accompanying ...
Raag Suhi (ਸੂਹੀ) – Suhi is an expression of such devotion that the listener experiences feelings of extreme closeness and undying love. The listener is bathed in that love and genuinely learns what it means to adore. Raga Suhi was favoured for religious events and is found in many ancient articles on music.
Madan Singh. Raag Maala - A Re-appraisal in the Context of Sri Guru Granth Sahib Ji. Amritsar, 2003. Taran Singh. Ragmala. The Encyclopaedia of Sikhism, Vol. III. Ed. Harbans Singh. Punjabi University, Patiala, 1997. P 426. Kavi Santokh Singh. Sri Gur Partap Suraj Granth.
The Guru Granth Sahib (Punjabi: ਗੁਰੂ ਗ੍ਰੰਥ ਸਾਹਿਬ; [ɡʊɾuː ɡɾəntʰᵊ saːhɪbᵊ]), is the central religious text of Sikhism, considered by Sikhs to be the final sovereign Guru of the religion. [1]
A 2-set CD-ROM titled Sikh Virasat was released containing 50 musical recordings of Balbir Singh performing shabad and raag kirtan, totalling four hours of content. [7] Balbir Singh released a multivolume of shabads titled Guldasta of the performance of all the raags found within the Guru Granth Sahib. [2]
An apt simile for this Raag is that of a king winning a battle, however, he is then told that his son has perished on the battlefield. This Raag conveys a sense of having to put duty first. The duality of the emotions of joy and sorrow prevents overreacting to good or bad news. Raga Jaijaiwanti bears the closest resemblance to raga: Gara.