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Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BC, when the Greek mainland was taken, and essentially ending in 30 BC with the conquest of Ptolemaic Egypt following the Battle of Actium.
Hellenistic sculpture represents one of the most important expressions of Hellenistic culture, and the final stage in the evolution of Ancient Greek sculpture. The definition of its chronological duration, as well as its characteristics and meaning, have been the subject of much discussion among art historians, and it seems that a consensus is ...
The Hellenized Roman upper classes of the Late Republic and Early Empire generally accepted Greek superiority in the arts without many quibbles, though the praise of Pliny for the sculpture and painting of pre-Hellenistic artists may be based on earlier Greek writings rather than much personal knowledge. Pliny and other classical authors were ...
Hardly any examples of Hellenistic paintings or sculptures survive, but we have many Roman copies. For Hellenistic sculpture we have some originals, including Laocoön and his Sons, the Venus de Milo, and the Winged Victory of Samothrace. Many surviving frescoes and mosaics from the Roman period are believed to be loose copies of Hellenistic ...
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic (from about 650 to 480 BC), Classical (480–323 BC ...
The Venus de Milo or Aphrodite of Melos [b] is an ancient Greek marble sculpture that was created during the Hellenistic period. Its exact dating is uncertain, but the modern consensus places it in the 2nd century BC, perhaps between 160 and 110 BC.
The art of ancient Greece has exercised an enormous influence on the culture of many countries from ancient times until the present, particularly in the areas of sculpture and architecture. In the West, the art of the Roman Empire was largely derived from Greek models.
The most influential contribution to the debate, Gotthold Ephraim Lessing's essay Laocoon: An Essay on the Limits of Painting and Poetry, examines the differences between visual and literary art by comparing the sculpture with Virgil's verse. He argues that the artists could not realistically depict the physical suffering of the victims, as ...
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