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"The Rocking Carol", [1] also known as "Little Jesus, Sweetly Sleep" [2] and "Rocking", [3] is an English Christmas carol by Percy Dearmer. It was translated from Czech (" Hajej, nynej, Ježíšku ") [ 4 ] in 1928 and is performed as a lullaby to the baby Jesus .
The Chords. Billy Hassett – lead vocals, rhythm guitar; Chris Pope — lead guitar, backing vocals; lead vocals on "Hold On, I'm Coming" and "Dreamdolls" Martin Mason — bass, backing vocals; Brett Ascott — drums; Additional personnel. Mick Talbot — piano on "Breaks My Heart", "Hold On, I'm Coming" and "I'm Not Sure" Photography: Gered ...
In 1986, the song title was parodied in "All I Want for Christmas Is a Dukla Prague Away Kit" by the band Half Man Half Biscuit on The Trumpton Riots EP. Country music parodist Cledus T. Judd parodied the song on his 2002 Christmas album Cledus Navidad. Titled "All I Want for Christmas Is Two Gold Front Teef", Judd's parody is performed in rap. [9]
"Three Chords and the Truth" is a song co-written and recorded by American country music artist Sara Evans. It was released in July 1997 as the second single from Evans' debut album of the same name in July 1997. Despite its minor success on the Billboard country chart, it was critically acclaimed for its retro-themed production. Since its ...
Christmas Eve is coming soon; Now you dear old man, Whisper what you'll bring to me; Tell me if you can. When the clock is striking twelve, When I'm fast asleep, Down the chimney broad and black With your pack you'll creep; All the stockings you will find Hanging in a row; Mine will be the shortest one; You'll be sure to know. Johnny wants a ...
The Vingt Regards sur l'Enfant-Jésus ("Twenty Contemplations on the Infant Jesus") are a suite of 20 pieces for solo piano by the French composer Olivier Messiaen (1908–1992). The suite is a meditation on the infancy of Jesus .
"Jesus Is Coming Soon" is a 1942 gospel song composed by R. E. Winsett. [1] The song has become a Southern gospel standard, as evidenced by its recording history.
Added tone chord notation is useful with seventh chords to indicate partial extended chords, for example, C 7add 13, which indicates that the 13th is added to the 7th, but without the 9th and 11th. The use of 2, 4, and 6 rather than 9, 11, and 13 indicates that the chord does not include a seventh unless explicitly specified.