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Greek and Latin metre is an overall term used for the various rhythms in which Greek and Latin poems were composed. The individual rhythmical patterns used in Greek and Latin poetry are also known as " metres " (US "meters").
Free time is a type of musical anti-meter free from musical time and time signature. It is used when a piece of music has no discernible beat. Instead, the rhythm is intuitive and free-flowing. In standard musical notation, there are seven ways in which a piece is indicated to be in free time: There is simply no time signature displayed.
Metrical rhythm, measured rhythm, and free rhythm are general classes of rhythm and may be distinguished in all aspects of temporality: [14] Metrical rhythm , by far the most common class in Western music, is where each time value is a multiple or fraction of a fixed unit (beat, see paragraph below), and normal accents reoccur regularly ...
Dochmiac (Ancient Greek: δοχμιακός, from δόχμιος 'across, aslant, oblique', [1] or 'pertaining to a δοχμή or hand's-breath' [2]) is a poetic meter that is characteristically used in Greek tragedy, expressing extreme agitation or distress.
The metre most closely associated with the term "anaclasis" is the galliambic, the music sung by the eunuch devotees of the goddess Cybele. The best known example is Catullus's Attis (poem 63). It consists of two anacreontics, the second one catalectic and with a resolution in the last metron: [24] super alta vectus Attis celerī rate maria
Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or two shorts):
Rhythm in ancient Greek music was closely tied to poetic meter, and included what are understood today as quintuple patterns. The two Delphic Hymns from the second century BC both provide examples. The First Delphic Hymn, by Athenaeus, son of Athenaeus, is in the quintuple Cretic meter throughout.
The Seikilos epitaph is an Ancient Greek inscription that preserves the oldest surviving complete musical composition, including musical notation. [1] Commonly dated between the 1st and 2nd century AD, the inscription was found engraved on a pillar from the ancient Hellenistic town of Tralles (present-day Turkey) in 1883.