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The ionic metre is occasionally found in Greek tragedies in appropriate settings, for example in Aeschylus's The Persians and in Euripides' The Bacchae. Ionic metres are rare in Latin. Horace Odes 3.12 is a rare example composed entirely in ionic feet, with ten feet to each stanza. Anacreontics are also very rare. [15]
Dochmiac (Ancient Greek: δοχμιακός, from δόχμιος 'across, aslant, oblique', [1] or 'pertaining to a δοχμή or hand's-breath' [2]) is a poetic meter that is characteristically used in Greek tragedy, expressing extreme agitation or distress.
Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or two shorts):
Rhythm in ancient Greek music was closely tied to poetic meter, and included what are understood today as quintuple patterns. The two Delphic Hymns from the second century BC both provide examples. The First Delphic Hymn, by Athenaeus, son of Athenaeus, is in the quintuple Cretic meter throughout.
The musical system of ancient Greece evolved over a period of more than 500 years from simple scales of tetrachords, or divisions of the perfect fourth, into several complex systems encompassing tetrachords and octaves, as well as octave scales divided into seven to thirteen intervals.
The metre most closely associated with the term "anaclasis" is the galliambic, the music sung by the eunuch devotees of the goddess Cybele. The best known example is Catullus's Attis (poem 63). It consists of two anacreontics, the second one catalectic and with a resolution in the last metron: [24] super alta vectus Attis celerī rate maria
Musical and lyric metre. In music, metre (British spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bars and beats.Unlike rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener.
The foot is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length.