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The Wife of Bath's Prologue is, by far, the longest in The Canterbury Tales and is twice as long as the actual story, showing the importance of the prologue to the significance of the overall tale. In the beginning, the wife expresses her views in which she believes the morals of women are not merely that they all solely desire "sovereignty ...
This story depicts a miller as a cuckold to get back at the depiction of the carpenter in the previous tale. The drunken cook (played by eccentric South African tattoo artist J. P. van Dyne) sets up his story about Perkin the Reveler. The Wife of Bath delivers a monologue about her "instrument" that arouses the Pardoner.
Each story is an adaptation of one of Geoffrey Chaucer's 14th-century Canterbury Tales. While the stories have been transferred to a modern 21st-century setting, they are still set along the traditional Pilgrims' route to Canterbury. Repeats of the series in the UK have aired on channels including ITV3.
The Wife of Bath is a 1713 comedy play by the British writer John Gay. It was inspired by The Wife of Bath's Tale by Geoffrey Chaucer. The play marked a conscious switch by Gay towards an apolitical and distant past, after his contemporary work The Mohocks had faced controversy and censorship the previous year. [2]
It is seen as an important source for efforts to reconstruct Chaucer's original text and intentions, though John M. Manly and Edith Rickert in their Text of the Canterbury Tales (1940) noted that whoever edited the manuscript probably made substantial revisions, tried to regularise spelling, and put the individual Tales into a smoothly running ...
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The loathly lady (Welsh: dynes gas, Motif D732 in Stith Thompson's motif index), is a tale type commonly used in medieval literature, most famously in Geoffrey Chaucer's The Wife of Bath's Tale. [1] The motif is that of a woman who appears unattractive (ugly, loathly ) but undergoes a transformation upon being approached by a man in spite of ...
The frame story of the poem, as set out in the 858 lines of Middle English which make up the General Prologue, is of a religious pilgrimage. The narrator, Geoffrey Chaucer, is in The Tabard Inn in Southwark, where he meets a group of 'sundry folk' who are all on the way to Canterbury, the site of the shrine of Saint Thomas Becket, a martyr reputed to have the power of healing the sinful.