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Perforated films were sold in the 1970s and 1980s as sun blinds for vehicles and buildings. This was cited in the first patent application for see-through graphics. [4] The blinds had brightly colored and reflective front sides. The reverse side was a non-reflective black color which allowed good visibility through the blind.
Daylighting is the practice of placing windows, skylights, other openings, and reflective surfaces so that direct or indirect sunlight can provide effective internal lighting. Particular attention is given to daylighting while designing a building when the aim is to maximize visual comfort or to reduce energy use.
The reflection-based daylight redirecting film, stuck to the inside of top part of the windows, is reflecting light sharply up onto the ceiling. This is a suboptimal use of prism lighting . While the ceiling does diffuse the reflected light, it still mostly lights the area nearest the window, where it is superfluous.
The pipe is coated with a 99.3% specular reflective film and the distribution element at the end of the light pipe consists of a 4.6 m long diffusing radial film with an 87% visible transmittance. The light pipe introduces consistently illuminance levels ranging between 300 and 2,500 lux throughout the year at distances between 7.6 m to 10 m. [12]
Different kinds of sun protection film on a glass ceiling. A window film, sometimes called tint, is a thin laminate film that can be installed on the interior or exterior of glass surfaces in automobiles and boats, and as well as on the interior or exterior of glass in homes and buildings.
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Thick-film effects arise because of the difference in the index of refraction between the layers above and below the coating (or film); in the simplest case, these three layers are the air, the coating, and the glass. Thick-film coatings do not depend on how thick the coating is, so long as the coating is much thicker than a wavelength of light.
Lens flare on Borobudur stairs to enhance the sense of ascending. A lens flare is often deliberately used to invoke a sense of drama. A lens flare is also useful when added to an artificial or modified image composition because it adds a sense of realism, implying that the image is an un-edited original photograph of a "real life" scene.
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