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The most famous features of the chapel, among the finest of their type in the world, are the fifteen great stained-glass windows in the nave and apse of the upper chapel, which date from the mid-13th century, as well as the later rose window (put in place in the 15th century). The stone wall surface is reduced to little more than a delicate ...
The exterior plan is very simple; the bays are separated by strong buttresses, crowned by spires, and each bay is fill with stained glass up to the beginning of the roof, where it is topped by a gable, or pointed arch. The chapel originally had a flèche from the roof at the 4th traverse, similar to that of the Paris chapel. It was destroyed in ...
The interior has the elements of a classic Gothic church; the colonnades and the arched ceiling, but rendered with concrete and iron and brightly coloured. The dome is 26.5 meters high and 12 meters in diameter. The architecture of the dome was designed by George Gauidbert to include four windows on its lower level. [3]
The royal chapel built by Louis IX to contain his collection of Passion relics, including Christ's Crown of Thorns – one of the most important relics in medieval Christendom. It is noted especially for its towering walls of stained glass. [1] Saint-Eustache: 1 Rue de Jour (1st arrondissement of Paris) Flamboyant Gothic Parish church (1532–1640)
In addition, most of the stained glass in the upper widows was removed and replaced with white glass, to bring more light into the interior, and to make it easier to read texts. [10] The oldest part of the interior, from the fifteenth century, contains the seven first traverses of the nave, and the first collateral aisle on the south side.
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The prototype for the Paris domes was the Church of the Jesu, the Jesuit church in Rome, built in 1568–84 by Giacomo della Porta. A very modest dome was created in Paris between 1608 and 1619 in the chapel of the Louanges on rue Bonaparte. (Today it is part of the structure of the École des Beaux-Arts).
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