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The scribal letter known as textur or textualis, produced by the strong gothic spirit of blackletter from the hands of German area scribes, served as the model for the first text types. Johannes Gutenberg, around 1450, invented a lead type mold, applied it to an alphabet of about 24 characters, and used known press technology to print ink on ...
Anglo-Saxon runes or Anglo-Frisian runes are runes that were used by the Anglo-Saxons and Medieval Frisians (collectively called Anglo-Frisians) as an alphabet in their native writing system, recording both Old English and Old Frisian (Old English: rūna, ᚱᚢᚾᚪ, "rune").
Early Greek print, from a 1566 edition of Aristotle. The sample shows the -os ligature in the middle of the second line (in the word μέθοδος), the kai ligature below it in the third line, and the -ou-ligature right below that in the fourth line, along many others. 18th-century typeface sample by William Caslon, showing a greatly reduced set of ligatures (-ου-in "τοῦ", end of first ...
Cursive (also known as joined-up writing [1] [2]) is any style of penmanship in which characters are written joined in a flowing manner, generally for the purpose of making writing faster, in contrast to block letters. It varies in functionality and modern-day usage across languages and regions; being used both publicly in artistic and formal ...
Later in the 17th and 18th centuries, English writing masters including George Bickham, George Shelley and Charles Snell helped to propagate Round Hand's popularity, so that by the mid-18th century the Round Hand style had spread across Europe and crossed the Atlantic to North America.
A ukase written in the 17th-century Russian chancery cursive. The Russian (and Cyrillic in general) cursive was developed during the 18th century on the base of the earlier Cyrillic tachygraphic writing (ско́ропись, skoropis, "rapid or running script"), which in turn was the 14th–17th-century chancery hand of the earlier Cyrillic bookhand scripts (called ustav and poluustav).
18th century Yale Center for British Art: Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night: 1829 Yale Center for British Art: Ploughing Scene in Suffolk: 1825 Yale Center for British Art: Dedham Lock: 18th century Yale Center for British Art: Cloud Study: 1821 Yale Center for British Art: Malvern Hall, Warwickshire: 1800s