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He likely got it from a Big Bill Broonzy recording "Rockin' Chair Blues" from 1940 using the phrase "rock me, baby". The phrase "like a wagon wheel" is used in the 1939 Curtis Jones song "Roll Me Mama" that includes the lines "Now roll me over, just like I'm a wagon wheel" and "just like I ain't got no bone". He re-recorded it in 1963 as "Roll ...
Both "Rock Me, Mama" and "Sweet Amarillo" were eventually completed and recorded by the Nashville band Old Crow Medicine Show, who credited Bob Dylan as co-writer. "Wagon Wheel" was released in 2004 (and subsequently covered by many other artists, including Darius Rucker) and "Sweet Amarillo" was released in 2014. [10]
Fuqua first brought home a Bob Dylan bootleg from a family trip to London containing a rough outtake called "Rock Me, Mama", [n 3] passing it to Secor. [i 3] Not "so much a song as a sketch," Secor would later say, "crudely recorded featuring most prominently a stomping boot, the candy-coated chorus and a mumbled verse that was hard to make out ...
B.B. King's "Rock Me Baby" is based on the 1951 song "Rockin' and Rollin'" by Lil' Son Jackson. [1] King's lyrics are nearly identical to Jackson's, although instrumentally the songs are different: "Rockin' and Rollin'" is a solo piece, with Jackson's vocal and guitar accompaniment, whereas "Rock Me Baby" is an ensemble piece.
@RobertvanderVelden: Jones recorded a song in 1939 titled "Roll Me Mama" that includes the lines "Now roll me over, just like I'm a wagon wheel" and "just like I ain't got no bone". He re-recorded it in 1963 as "Roll Me Over", with some of the lyrics. When tracing the origins, it's best to use the earliest.
Rock Me Baby may refer to: "Rock Me Baby" (song), a blues standard, notably recorded by B. B. King in 1964 "Rock Me Baby" (Johnny Nash song), 1985; Rock Me Baby, a 1972 album by David Cassidy, or the title song; Rock Me Baby, a 2003–2004 U.S. comedy/drama series
The song was used as the title song in the 1934 western movie Wagon Wheels, starring Randolph Scott and Gail Patrick. [2] It was sung by Everett Marshall in the Ziegfeld Follies of 1934. [3] "Wagon Wheels" has been recorded dozens of times over the years, by artists including Paul Whiteman and His Orchestra and Paul Robeson in 1934, and Sammy ...
Broonzy, who was one of the most popular pre-World War II blues artists, used elements of hokum in his music. [1] In "Too Many Drivers", he makes use of double entendre [2] and "further extended the 'female as automobile' metaphor so prevalent in blues lyrics" at the time, according to compilation annotator Keith Briggs. [3]