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That same year, he made the transition from a street artist to exhibiting his artwork in galleries. [1] They moved into a loft provided by gallerist Annina Nosei on Crosby Street in SoHo in early 1982; Mallouk moved out of the loft a few months later. [3] [4] They dated on-and-off until 1983. [5]
During this period, Basquiat began using roughly hewn canvas supports as seen with Hannibal. These stretchers were built by Basquiat's studio assistant, Stephen Torton. Basquiat had initially hired Torton to be a bouncer at his loft party, but by the end of the night he offered him the job of building stretchers.
"Basquiat's art—like the best hip-hop—takes apart and reassembles the work that came before it", said art critic Franklin Sirmans in a 2005 essay, "In the Cipher: Basquiat and the Hip-Hop Culture". [164] Art critic Rene Ricard wrote in his 1981 article "The Radiant Child": I'm always amazed at how people come up with things. Like Jean-Michel.
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It was an ideal art studio, offering large open spaces to work at an affordable rent. [5] Along with Robert Indiana , Ellsworth Kelly , Jack Youngerman and Agnes Martin , who resided in the neighboring buildings, they formed a small artistic community away from the Upper-East side and the abstract expressionists from whom they wished to ...
He had solo exhibitions at The Phillips Collection (1974), the Corcoran Gallery of Art (1976 and 1977) and the Fendrick Gallery on M Street NW. [3] [4] He moved to New York City in 1977, where he acquired a loft in the Flatiron District, a former garment factory, which served as his studio and his home until his death. In this new location, he ...
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Michael Kelley (October 27, 1954 – c. January 31, 2012) was an American artist whose work involved found objects, textile banners, drawings, assemblage, collage, performance, photography, sound and video. He also worked on curatorial projects; collaborated with many other artists and musicians; and left a formidable body of critical and ...
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