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A setting of Pange lingua, written by Ciaran McLoughlin, appears on the Solas 1995 album Solas An Domhain. Pange lingua has been translated into many different languages for worship throughout the world. However, the Latin version remains the most popular. The Syriac translation of "Pange lingua" was used as part of the rite of benediction in ...
Pange lingua gloriosi proelium certaminis" (Latin for 'Sing, tongue, the battle of glorious combat') is a 6th-century AD Latin hymn generally credited to the Christian poet St. Venantius Fortunatus, Bishop of Poitiers, celebrating the Passion of Christ.
Tantum ergo" is the incipit of the last two verses of Pange lingua, a Medieval Latin hymn composed by St Thomas Aquinas circa A.D. 1264. The "Genitori genitoque" and "Procedenti ab utroque" portions are adapted from Adam of Saint Victor's sequence for Pentecost. [1] The hymn's Latin incipit literally translates to "Therefore so great".
Free scores for Tantum ergo, WAB 32 in the Choral Public Domain Library (ChoralWiki) – Wöss edition as Pange lingua; Pange lingua, recte: Tantum ergo D-Dur, WAB 32 Critical discography by Hans Roelofs (in German) A live performance of the Wöss' edition as Pange lingua by the Choir Rondo Histriae (September 2006) can be heard on YouTube ...
There are dozens of musical settings of the Aquinas, including a Josquin Mass (1514), a Bruckner motet (1868) and a Kodály hymn (1929). Charpentier alone wrote five settings: Pange lingua, motet for 3 voices, 2 treble instruments and bc H.58 (? mid-1670s) Pange lingua, motet for 3 voices, 2 treble instruments and bc H.61 (1680–81)
Pange lingua, WAB 33: Scores at the International Music Score Library Project; Free scores for Pange lingua, WAB 33 in the Choral Public Domain Library (ChoralWiki) Pange lingua et Tantum ergo phrygisch, WAB 33 Critical discography by Hans Roelofs (in German) A live performance by the Concordia Chamber Choir can be heard on YouTube: Pange ...
The Missa Pange lingua is a musical setting of the Ordinary of the Mass by Franco-Flemish composer Josquin des Prez, probably dating from around 1515, near the end of his life. Most likely his last mass, it is an extended fantasia on the Pange Lingua hymn, and is one of Josquin's most famous mass settings.
Urrede's music has been recorded and issued on media including: Cancionero de Segovia: Pange Lingua. El Cancionero de la Catedral de Segovia, The Segovia Cathedral Songbook, Ensemble Daedalus, Roberto Festa; Nunca fue pena mayor (Never was there greater sorrow). Chanson. c.1470 for instruments from the Cancionero de la Colombina 1460-1490