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Tracing of an engraving of the Sosibios vase by Keats "Ode on a Grecian Urn" is a poem written by the English Romantic poet John Keats in May 1819, first published anonymously in Annals of the Fine Arts for 1819 [1] (see 1820 in poetry).
In the introduction Jacques Delaruelle says that in Diesendorf's poems, the modest phenomena of nature, the beating heart, the trembling hand, "are endowed with the aura of the most sacred rituals, and the pristine simplicity of the poet's words tells us that the process of life is identical to the process of creation." [20]
The simplicity of the melody makes this piece that much more difficult to sing as it requires perfect legato and breath control. Any inconsistencies in the sound can disrupt the 'peace' of the poem. Schubert sets tender and gentle themes to Rückert's words, and the simplicity of the piano line further enhances the meaning of the song.
The poem is vastly different in style from other poems written by Coleridge. The first stanza of the poem describes Kublai Khan's pleasure dome built alongside a sacred river fed by a powerful fountain. The second stanza depicts the sacred river as a darker, supernatural and more violent force of nature.
Silvestri's wife Julie died from ovarian cancer in 2005 aged 36. A group of poems he wrote about their relationship, her death, and his grief, together with three poems by her and two by Whitacre, form the words of Whitacre's 2018 The Sacred Veil. [11] [12] [13]
Paul Kane (born March 23, 1950) is an American poet, critic and scholar. Awards for his work include Fellowships from the National Endowment for the Humanities, the Guggenheim Foundation, the Bogliasco Foundation, a Fulbright Award, an honorary doctorate from La Trobe University in Australia, and The Order of Australia.
Lycidas by James Havard Thomas, bronze cast in collections of Aberdeen Art Gallery and Tate Britain "Lycidas" (/ ˈ l ɪ s ɪ d ə s /) is a poem by John Milton, written in 1637 as a pastoral elegy.
It was republished posthumously by Hatch's widow in 1890 in "Towards Fields of Light: Sacred Poems". [2] The handbook to the Psalter Hymnal, where "Breath on Me, Breath of God" was later published, referred to the oft quoted statement about Hatch's faith being "as simple and unaffected as a child" being an appropriate description of the hymn.
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