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Self Portrait c. 1875. This is an incomplete list of the paintings by the French painter Paul Cézanne.The artistic career of Cézanne spanned more than forty years, from roughly 1860 to 1906, and formed a bridge between Impressionism and Post-Impressionism.
Paul Cézanne (/ s eɪ ˈ z æ n / say-ZAN, UK also / s ɪ ˈ z æ n / siz-AN, US also / s eɪ ˈ z ɑː n / say-ZAHN; [1] [2] French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation, influenced avant-garde artistic movements of the early 20th century and formed the bridge between late 19th-century ...
Theodore Franklin Reff (born 1930) [1] is Professor Emeritus of European Painting and Sculpture, 1840–1940 at Columbia University. [2]Reff is an expert on French art of the nineteenth century, and in particular Paul Cézanne, Edgar Degas and Édouard Manet.
The Card Players is a series of oil paintings by the French Post-Impressionist artist Paul Cézanne. Painted during Cézanne's final period in the early 1890s, there are five paintings in the series. The versions vary in size, the number of players, and the setting in which the game takes place.
Whereas in Manet's Olympia the courtesan's patron is only implied, in Cézanne's A Modern Olympia the cortesain's patron is depicted within the scene. [1] The man's bald head, dark hair, full beard, and profile of the nose indicate that he is a self-portrait of Cézanne.
Taschen Basic Art is a best selling art collection books, published by Taschen, starting in 1985. Each book looks at a different artist, with a biography, and illustrations of their work. The books are published as affordable hardcover books of 21 x 26 cm. As of 2022, 78 titles had been published. [1]
Still Life with Peaches and Pears or Still Life with Sugar Bowl is an oil-on-canvas painting by the French artist Paul Cézanne, from 1888-1890. It is held at the Pushkin Museum , in Moscow [ 1 ] It is similar to another still life by the artist which is now in the National Museum of Art, Architecture and Design , in Oslo .
In both series attention is focused on the round pate and eye sockets. [5] There would have been further reason for the subject to interest Cézanne: skulls were prominent in the homes of Catholics, and Cézanne was a devout Catholic knowledgeable in ancient Christian texts. Human skulls had also long been common accessories in artists' studios ...
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