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The stained glass in the apse window is dated 1872 and is by Clayton and Bell. Below this is a mosaic designed by J. R. Clayton and made by Salviati, and a fresco painting by Clayton and Bell, dated 1874. Elsewhere the stained glass in the aisle is by Wailes, and by Hardman & Co. to a design by Pugin. [55]
Detail, East window, St Peter's, Burnham Caricature of John Richard Clayton [2]. In the 1850s a number of young designers worked in conjunction with the Gothic Revival architects in the provision of stained glass for new churches and for the restoration of old.
Also the stained glass in the east window of the Parish Church of St Mary Magdalene, Gillingham. [4] Other windows by this firm are in Wimborne Minster 1857, Peterborough Cathedral 1864 and St Mary's Parish Church, Hampton c1888. A documentary film, Stained Glass Masters: Heaton, Butler and Bayne, was produced in 2000 by the film maker Karl ...
Stained glass windows of Chartres Cathedral; Christ between the Apostles John and Paul (Christ Preaching) Church of Our Savior (Boynton Beach, Florida) Church of the Good Shepherd (Rosemont, Pennsylvania) Cologne Cathedral Window
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
Main article: Christopher Whall This is a list of the stained glass works of Christopher Whall (1849–1924) in cathedrals and minsters, reflecting Whall's intent to reflect the inspiration of nature in this art. To experience the Lady Chapel is rather like being inside a great jewelled casket, for the glazing combines a profusion of deep, vibrant colours with a sparkling, silvery framework of ...
While most of the work of Wailes' workshop is to be found in the North of England, other commissions came from further afield. The most significant window glazed by the firm, and one of the prize commissions of the industry, was the glazing of the west window of Gloucester Cathedral, an enormous window of c.1430 in the Perpendicular Gothic style, of nine lights and four tiers.
William Warrington, (1796–1869), was an English maker of stained glass windows. His firm, operating from 1832 to 1875, was one of the earliest of the English Medieval revival and served clients such as Norwich and Peterborough Cathedrals. Warrington was a historian of medieval glass and published an illustrated book The History of Stained Glass.
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