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The work is a development of suibokuga (水墨画, ink-wash paintings) made with Chinese ink (墨, sumi), using dark and light shades on a silk or paper medium.It combines naturalistic Chinese ideas of ink painting by Muqi Fachang (Chinese: 牧溪法常; pinyin: Mu-ch'i Fa-ch'ang) with themes from the Japanese yamato-e (大和絵) landscape tradition, influenced by the "splashed ink" (溌墨 ...
An iconic image, the pine tree at its centre has been described as growing "in the national ethos as our one and only tree in a country of trees". [1] It was painted in the last year of Thomson's life and was one of his final works on canvas. The painting, and a sketch for the painting, are displayed at the Art Gallery of Ontario.
The Jack Pine, Winter 1916–17. 127.9 × 139.8 cm. National Gallery of Canada, Ottawa Black Spruce and Maple, Fall 1915. Sketch. [note 3] Art Gallery of Ontario, Toronto. Thomas John Thomson (August 5, 1877 – July 8, 1917) was a Canadian artist active in the early 20th century.
A sketch may serve a number of purposes: it might record something that the artist sees, it might record or develop an idea for later use or it might be used as a quick way of graphically demonstrating an image, idea or principle. Sketching is the most inexpensive art medium. [5] Sketches can be made in any drawing medium.
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
He was greatly influenced by the black and white illustrations he saw in magazines, [35] something especially apparent in his c. 1903 sketch, Study of a Woman's Head, which draws inspiration from the "Gibson Girl" of American illustrator Charles Dana Gibson. [36] Thomson's younger brother Ralph wrote about Thomson during this period:
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Brown wrote to a colleague that The Jack Pine was "in our opinion, and that of Thomson's fellow painters, the best picture of any kind he ever painted." [22] Two months after The Jack Pine arrived in Ottawa in August 1918, it was sent to St. Louis, Missouri, as part of an exhibition of contemporary Canadian art. It circulated until 1919, and ...
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