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For Thee all the follies of sin I resign. My gracious Redeemer, my Savior art Thou; If ever I loved Thee, my Jesus, 'tis now. I love Thee because Thou has first loved me, And purchased my pardon on Calvary's tree. I love Thee for wearing the thorns on Thy brow; If ever I loved Thee, my Jesus, 'tis now. I'll love Thee in life, I will love Thee ...
William Ralph Featherston (1848–1875) was a Christian hymnwriter who wrote the poem My Jesus I Love Thee. He is believed to have written the poem at the age of either 12 or 16 years. In 1876 Adoniram Gordon used the poem as lyrics for a hymn. Featherston died prior to his 27th birthday, and is not known to have written any other songs.
Our Hymns is a compilation album released in 1989 on Word Records. [2] It features well-known church hymns each done by CCM artists' interpretation and styles of music from pop (" Holy, Holy, Holy " by Michael W. Smith ) to rock (" Onward, Christian Soldiers " by Petra ) to country ("More Love To Thee" by Bruce Carroll ).
Hymns and Faith is the fourteenth studio album by Christian singer and songwriter Amy Grant. It was her first overtly religious album since Lead Me On in 1988, and consists primarily of well-known hymns with a few original songs.
A list of all songs with lyrics about Jesus Christ, where he is specifically the central subject.This category contains both songs referring to specific moments of Jesus's life (birth, preaching, crucifixion) and songs of blessing, rejoicing or mourning where he is portrayed as a religious deity or examined as a cultural figure.
Alas! and Did My Saviour Bleed; All Creatures of Our God and King; All for Jesus, All for Jesus; All Glory, Laud and Honour; All Hail the Power of Jesus' Name; All My Hope on God is Founded; All Things Bright and Beautiful; Alleluia! Sing to Jesus; Amazing Grace; And Can It Be; And did those feet in ancient time; Angel Voices, Ever Singing; At ...
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The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. It was written in 1917–1919 and first performed in 1920.