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René Jules Lalique (French pronunciation: [ʁəne ʒyl lalik]; 6 April 1860 – 1 May 1945) [1] [2] was a French jeweller, medallist, [3] [4] and glass designer known for his creations of glass art, perfume bottles, vases, jewellery, chandeliers, clocks, and automobile hood ornaments.
Reproductions of designs by René Lalique have increased since 2009. [3] From its founding until the 1900s–1910s, Lalique was one of France's foremost Art Nouveau jewellery designers. Famous for designs combining precious stones and metals with non precious materials such as horn, glass amd enamel.
Frederick James Partridge (c.1877–1946) (known as Fred Partridge, works signed "FJP") was an English jeweller, silversmith and teacher of jewellery making, active circa 1901–1930. [1] His works are in the Art Nouveau style. He has been called the "British René Lalique". [2]
The Maison de l'Art Nouveau showed paintings by Georges Seurat, Paul Signac and Toulouse-Lautrec, glass from Louis Comfort Tiffany and Émile Gallé, jewellery by René Lalique, and posters by Aubrey Beardsley. The works shown there were not at all uniform in style.
Mucha and other Art Nouveau illustrators often collaborated with jewelers, Eugène Grasset, best known for his theatrical posters and magazine illustrations, made designs for objects ranging from combs to belt buckles created by Paris jewelers. René Lalique, best known for glass art, was also a major figure in Paris Art Nouveau jewelry design ...
Art Nouveau artists such as René Lalique, [11] Lucien Gaillard [12] and other French and German artists predominantly used plique-à-jour in small jewellery, though the Victoria & Albert Museum has a tray of 1901 by Eugène Feuillâtre (1870–1916). [13]
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