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Good & Evil is the second studio album by American rock band Tally Hall, released on June 21, 2011, by Quack!Media. Originally to be released under Atlantic Records, the album ended up being released under their original label due to unknown circumstances.
Tally Hall (sometimes stylized as tallyhall) is an American rock band formed in Ann Arbor, Michigan, in December 2002, and publicly active until the conclusion of their Good & Evil tour in 2011. The band is known for its upbeat melodies, whimsical lyrics, and a dedicated fanbase on social media sites.
[3] [4] The track "Good Day" was featured on the teen drama series The O.C. in 2006, [5] and Tally Hall was subsequently signed to Atlantic Records, who released a re-recorded version of the album in 2008. [6] The band's second album, Good & Evil, was funded by the label and released in 2011 by Quack! Media after Tally Hall split ways with ...
Cantor in 2006. Inspired by his friend, Andrew Laurich, [1] repeatedly and dramatically whispering the name of actor Shia LaBeouf, [2] Los Angeles-based singer-songwriter Rob Cantor [3] wrote "Shia LaBeouf" in 2011, driven by "nothing but the sheer silliness of imagining Shia LaBeouf, face and clothes smeared with half-dried blood, terrorizing helpless victims in a dark wood."
Robert Howard Cantor (born August 26, 1983) is an American singer-songwriter and creator of multiple viral videos.He is mostly known as a vocalist, guitarist, and co-writer for the indie rock band Tally Hall and sometimes referred to as "Yellow Tie" by some fans.
The music video for "Good Day" was first shown at Tally Hall's two Ann Arbor concerts on September 23, 2006. Tally Hall was later signed with Atlantic Records, and was approved to re-record Marvin's Marvelous Mechanical Museum at Stratosphere Sound Recording Studios in NYC. The remastered version of the album was released in April 2008, with ...
In 2012, Rob Cantor of Tally Hall produced a song describing LaBeouf as a murderous cannibal. In 2014, Cantor produced a music video based on this song. Despite the lyrics, the intent was humorous and non-serious, and LaBeouf appeared at the end of the video, applauding. [65]
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