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[4] [6] Early-modern scholars of classical mythology attempted to argue that Aphrodite's name was of Greek or Indo-European origin, but these efforts have mostly been abandoned. [6] Aphrodite's name is generally accepted to be of non-Greek (probably Semitic) origin, but its exact derivation cannot be determined with confidence. [6] [7]
Venus Urania (Christian Griepenkerl, 1878) Statue of the so-called 'Aphrodite on a tortoise', 430–420 BCE, Athens [a]Aphrodite Urania (Ancient Greek: Ἀφροδίτη Οὐρανία, romanized: Aphrodítē Ouranía, Latinized as Venus Urania) was an epithet of the Greek goddess Aphrodite, signifying a "heavenly" or "spiritual" aspect descended from the sky-god Ouranos to distinguish her ...
The Aphrodite Rhithymnia (Ancient Greek: Ἀφροδίτη Ῥιθυμνία, romanized: Aphrodítē Rhithumnía, lit. 'Aphrodite of Rhithymna'), also known as Aphrodite of Lappa (Greek: Αφροδίτη της Λάππας), is a Roman statue of the first century AD found at the site of ancient Lappa, in modern-day Argyroupoli, western Crete, Greece.
The Sanctuary of Aphrodite Urania (Ancient Greek: ἱερὸν Ἀφροδίτης Οὐρανίας, romanized: hieron Aphroditēs Ouranias) was located north-west of the Ancient Agora of Athens and dedicated to the goddess Aphrodite under her epithet Urania ("of the Heavens"). It has been identified with a sanctuary found in this area in the ...
The Aphrodite of Rhodes (Greek: Αφροδίτη της Ρόδου) also known as the Crouching Venus of Rhodes is a marble sculpture of the Greek goddess Aphrodite housed in the Archaeological Museum of Rhodes in Rhodes, Greece. It depicts Aphrodite in the crouching Venus pose, where the goddess crouches her right knee close to the ground and ...
Aphrodite's winged little son Eros, the god of romantic love, is similarly trying to assist his mother fight off her assaulter by grasping Pan's right horn and pushing him away. [ 1 ] [ 3 ] Pan leans on a tree trunk (the statue's marble support) covered with animal's skin, and has left his hunting stick at the foot of the trunk. [ 1 ]
The site of Paphos was a holy place for the ancient Greeks, who believed it to be the place where Aphrodite landed when she rose from the sea. [2] According to Pausanias (i. 14), her worship was introduced to Paphos from Syria, and from Paphos to Kythera in Greece. The cult was likely of Phoenician origin. Archaeology has established that ...
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.