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St. Augustine is pictured sitting in his Italian studiolo, or a study that is a private cabinet or room. [2] These studies, also known as kunstkammer, wunderkammer or cabinets of curiosities, were typically used to display collectors items, and became popular in Italy in the fifteenth and sixteenth centuries. [2]
Carpaccio was observed to have played with the vanishing point in his works. For example, in St. Jerome In His Study, the vanishing point is to the right of the center. [3] While he did still employ the traditional use of having the vanishing point be in the center, at times Carpaccio added a second vanishing point. [3]
Saint Augustine in His Study may refer to: Saint Augustine in His Study (Botticelli, Uffizi) Saint Augustine in His Study (Botticelli, Ognissanti)
Vittore Carpaccio’s “Saint Augustine in His Study” showed the architect how rooms, both real and imagined, can create moments of awe. What a 16th-Century Painting Taught Billie Tsien About ...
Saint Augustine (Pinturicchio) Saint Augustine Altarpiece (Huguet) Saint Augustine and Alypius Receiving Ponticianus; Saint Augustine in His Study (Botticelli, Ognissanti) Saint Augustine in His Study (Botticelli, Uffizi) St. Augustine in His Study (Carpaccio) Saint Augustine's Vision of the Christ-Child by a River; San Pietro di Muralto Altarpiece
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St. Augustine in His Study (Carpaccio) St. George and the Dragon (Carpaccio) The Sermon of St. Stephen (Carpaccio) T. Two Venetian Ladies; Y. Young Knight in a ...
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