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The Romantics are an American rock band formed in 1977 in Detroit.The band is often put under the banner of power pop and new wave.They were influenced by 1950s American rock and roll, Detroit's MC5, the Stooges, early Bob Seger, Motown R&B, 1960s North American garage rock as well as the British Invasion rockers.
The Romantics is the debut album of American rock band the Romantics, released on 4 January 1980 under Nemperor Records, giving it the distinction of being the first pop record released in the 1980s. It includes the Billboard Hot 100 hit " What I Like About You ", which peaked at No. 49.
"What I Like About You" is a song by American rock band the Romantics, released in December 1979 as the lead single from their 1980 self-titled debut album. The song was written by band members Wally Palmar, Mike Skill and Jimmy Marinos. Marinos, the band's drummer, is the lead vocalist on the song.
It should only contain pages that are The Romantics songs or lists of The Romantics songs, as well as subcategories containing those things (themselves set categories). Topics about The Romantics songs in general should be placed in relevant topic categories .
"Talking in Your Sleep" is a song by American rock band the Romantics. Released in September 1983, It became the band's most successful single in the US, reaching No. 3 on the Billboard Hot 100 in early 1984, being their only US Top 10 hit.
In Heat is the fourth album by the American band the Romantics. [1] It was released in 1983 on Nemperor Records.It was the Romantics' most commercially successful album, and featured the Romantics' biggest hit single: "Talking in Your Sleep", peaking at No. 3, and a second top 40 hit, "One in a Million", charted No. 37.
Palmar and several high school friends formed the Romantics in 1977 scoring their first record deal in 1979 with Nemperor Records. [3] Their self-titled debut album for Nemperor in 1980 with British producer Pete Solley contained the band's first chart hit.
On Rhythm Romance, the Romantics had moved further away from their power pop roots towards more mainstream rock. [3] In a retrospective review for AllMusic, Chris Woodstra opined that the band had become "full-fledged arena rockers complete with a big ultraslick production... and an utterly forgettable batch of songs."