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Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion).It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century and is credited with inventing the blow/draw mechanism that allows the harmonica to play different notes when the air is drawn instead of blown.
Playing the harmonica in a key a fourth below its intended key. Playing just the unbended notes, this position gives the mixolydian scale between 2 draw and 6 blow. However, bending the 3 draw allows the player to play a minor third (or a blue third), allowing a player to use a C harmonica to play in G mixolydian or G minor.
Jazz pianist Barry Harris explained that bebop musicians would play a descending dominant seventh scale with an added half-step to keep all the chord tones on the beat. For example, for the chords "Dm7 ♭ 5 G7 ♭ 9, play down the B♭7 scale from its seventh to B" (B being the added half-step "bebop note" and third of the G7 ♭ 9 chord).
Successive seventh chords starting with a secondary dominant: V 7 /V (II 7)–V 7 –I, in this case G 7 –C 7 –F). Note the chromatic voice leading (B ♮ –B ♭ –A), and that the F in the first chord is 27.26 cents lower than the F in the third chord. Play ⓘ barbershop seventh chord. A chord consisting of the root, third, fifth, and ...
Holes 2, 3, and 4 play a diminished chord; holes 3, 4, and 5 play a minor chord; and holes 4, 5, and 6 play an augmented, for a total of sixteen chords. This pattern is repeated starting on hole 5, a whole step higher; and again starting on hole 9, for a total of 48 chords.
Blues harp. The Richter-tuned harmonica, 10-hole harmonica (in Asia) or blues harp (in America), is the most widely known type of harmonica.It is a variety of diatonic harmonica, with ten holes which offer the player 19 notes (10 holes times a draw and a blow for each hole minus one repeated note) in a three-octave range.
Irregular resolution Type I Play ⓘ. Two common tones, two note moves by half step motion. Irregular resolution through augmented sixth equivalence Play ⓘ. [1] One common tone, three notes move by half step motion. In music, an irregular resolution is resolution by a dominant seventh chord or diminished seventh chord to a chord other than ...
Nondominant seventh chord resolution along a circle progression, the seventh resolves down by step to the third of the next chord: I 7 –IV [3] Play ⓘ. B resolves to A. In music theory, a nondominant seventh chord is both a diatonic chord and a seventh chord, but it does not possess dominant function, [2] and thus it is not a dominant ...