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The Mathura school became one of the two major schools of Gupta Empire art, together with the school of Benares, with Mathura school remaining the most important and the oldest. [225] It is characterized by its usage of mottled red stone from Karri in the Mathura district, and its foreign influences, continuing the traditions of the art of ...
Art historians regard the art of Amaravati as one of the three major styles or schools of ancient Indian art, the other two being the Mathura style, and the Gandharan style. [ 3 ] In addition to the ruins at Amarāvati, the style is also seen in the stupa remains at Bhattiprolu , Jaggayyapeta , Nagarjunakonda , Ghantasala , and Goli , in Andhra ...
Art historians regard the art of Amaravati as one of the three major styles or schools of ancient Indian art, the other two being the Mathura style, and the Gandharan style. [4] Largely because of the maritime trading links of the East Indian coast, the Amaravati school or Andhra style of sculpture, seen in a number of sites in the region, had ...
The long-established Mathura school continued as one of the main two schools of Gupta Empire art, joined by the school of Varanasi and nearby Sarnath. [1] Under the Guptas, Mathura remained primarily a center of Buddhist artistic activity and worship, but a few Hindu, especially Vaishnavite , sculptures started to appear. [ 41 ]
The Amaravati school of Buddhist art was one of the three major Buddhist sculpture centres along with Mathura and Gandhara and flourished under Satavahanas, many limestone sculptures and tablets which once were plastered Buddhist stupas provide a fascinating insight into major early Buddhist school of arts.
The Greco-Buddhist art or Gandhara art is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism. It had mainly evolved in the ancient region of Gandhara , located in the northwestern fringe of the Indian subcontinent .
The first Indo-Greek kings, also sometimes called "Indo-Bactrian", from Demetrius I (200–190 BCE) to Eucratides (170–145 BCE) ruled simultaneously,the areas of Bactria and northwestern India, until they were completely expelled from Bactria and the eastern Bactrian capital city of Ai-Khanoum by invading nomads, probably the Yuezhi, or possibly the Sakas, circa 145 BCE.
Facial types also tend to become more Indianized. Banerjee in Hellenism in ancient India describes "the mixed character of the Mathura School in which we find on the one hand, a direct continuation of the old Indian art of Barhut and Sanchi and on the other hand, the classical influence derived from Gandhara". [37]