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'Images') is the Latin title of two works in ancient Greek by two authors, both named Philostratus, describing and explaining various artworks. The first of these two works called Imagines consists of two books (one consisting of an introduction and 31 chapters and the other of 34 chapters) are generally attributed to Philostratus of Lemnos ...
The Madonna del Rosario, c. 6th century, (70.2 x 40.5 cm). The Madonna del Rosario is an icon of Mary commonly dated to the sixth century or earlier. [1] It is an early version of a type of icon known as the Agiosoritissa or the Maria Advocata, in which Mary is depicted without the Christ Child, with both hands raised.
Maria Advocata (Madonna del Rosario), c. 6th century Georgian Agiosoritissa icon (c. 1100) Freising Agiasoritissa, 12th century The Panagia Agiosoritissa or Hagiosoritissa (Greek: Ἁγιοσορίτισσα) is the name for a type of Marian icon, showing Mary without the Christ Child, slightly from the side with both hands raised in prayer.
Polykleitos: The Doryphoros, the summary of the aesthetic idealism of Classicism. The sculpture of Classicism, the period immediately preceding the Hellenistic period, was built on a powerful ethical framework that had its bases in the archaic tradition of Greek society, where the ruling aristocracy had formulated for itself the ideal of arete, a set of virtues that should be cultivated for ...
The wall paintings of ancient Thera are famous frescoes discovered by Spyridon Marinatos at the excavations of Akrotiri on the Greek island of Santorini (or Thera). They are regarded as part of Minoan art , although the culture of Thera was somewhat different from that of Crete , and the political relationship between the two islands at the ...
The Greek archaic smile is also found on Etruscan artworks during the same time period nearby on the west side of the Italian peninsula, as consequence of the influence of Greek art on Etruscan art. An example of this commonly featured in art history texts is the Sarcophagus of the Spouses, a terracotta work found in the necropolis of Cerveteri ...
Thalassa (/ θ ə ˈ l æ s ə /; Ancient Greek: Θάλασσα, romanized: Thálassa, lit. 'sea'; [2] Attic Greek: Θάλαττα, Thálatta [3]) was the general word for 'sea' and for its divine female personification in Greek mythology. The word may have been of Pre-Greek origin [4] and connected to the name of the Mesopotamian primordial ...
The Eleusis Amphora is an ancient Greek neck amphora, now in the Archaeological Museum of Eleusis, that dates back to the Middle Protoattic (c. 650–625 BCE). [1] The painter of the Eleusis Amphora is known as the Polyphemos Painter.