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The London Howlin' Wolf Sessions is an album by blues musician Howlin' Wolf released in 1971 on Chess Records, and on Rolling Stones Records in Britain. [5] It was one of the first super session blues albums, setting a blues master among famous musicians from the second generation of rock and roll, in this case Eric Clapton, Steve Winwood, Charlie Watts, and Bill Wyman.
In 2012, the album was ranked No. 238 on Rolling Stone magazine's list of the 500 greatest albums of all time and described as "an outrageous set of sex songs written by Willie Dixon." [ 11 ] It was named the third greatest guitar album of all time by Mojo magazine in 2004.
In May 1970, Howlin' Wolf traveled to Olympic Sound Studios in London, England, to record songs for The London Howlin' Wolf Sessions. [5] The album was released in August 1971 [6] and peaked at number 28 on Billboard magazine's R&B Albums chart and number 79 on the Billboard 200. [7]
The American Folk Blues Festival was a music festival that toured Europe as an annual event for several years beginning in 1962. It introduced audiences in Europe, including the UK, to leading blues performers of the day such as Muddy Waters, Howlin' Wolf, John Lee Hooker and Sonny Boy Williamson, most of whom had never previously performed outside the US.
Moanin' in the Moonlight is a compilation album and the first album by American blues artist Howlin' Wolf, released by Chess Records in 1959. It contains songs recorded between 1951 and 1959 previously issued as singles, including one of his best-known, "Smokestack Lightning".
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
The Howlin' Wolf Album is a studio album by Howlin' Wolf, released in 1969. It features members of Rotary Connection as his backing band. [1] The album mixed blues with psychedelic rock arrangements of several of Wolf's classic songs. Howlin' Wolf strongly disliked the album, which is noted on the album's cover art.
Later on, Howlin' Wolf named him Tail Dragger because Jones often arrived late for gigs. [1] By the early 1970s, Jones had become a full-time singer and he used notable backing musicians, including Willie Kent , Hubert Sumlin , Carey Bell , Kansas City Red , [ 5 ] Little Mack Simmons , Big Leon Brooks, and Eddie Shaw .