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Due to the effects of westernization, western music has influenced many musical cultures around the world. Japan's unique music styles were impacted by this phenomenon prior to the Second World War. Japan's traditional melodic and instrumental music is now less popular than the emergent genres, such as J-Rock and J-Pop.
Western music is said to be influenced by the folk music traditions of England, Wales, Scotland, and Ireland, and cowboy songs sung around campfires in the 19th century, such as "Streets of Laredo", can be traced back to European folk songs. [6] Additionally, western music was impacted by the Blues, among other African-American folk traditions ...
21st-century Western classical music is art music in the contemporary classical tradition that has been produced since the year 2000. A loose and ongoing period, 21st-century classical music is defined entirely by the calendar and does not refer to a musical style in the sense of Baroque or Romantic music.
Since the early twentieth century non-Western music has begun to influence Western composers. In particular, direct homages to Javanese gamelan music are found in works for western instruments by Claude Debussy, Béla Bartók, Francis Poulenc, Olivier Messiaen, Pierre Boulez, Benjamin Britten, John Cage, Steve Reich, and Philip Glass. [67]
The music of West Africa has a significant history, and its varied sounds reflect the wide range of influences from the area's regions and historical periods. Traditional West African music varies due to the regional separation of West Africa, yet it can be distinguished by two distinct categories: Islamic music and indigenous secular music.
This western music influence largely kept the music of the folk revival and folk rock from influencing the country music genre much, despite the similarity in instrumentation and origins (see, for instance, the Byrds' negative reception during their appearance on the Grand Ole Opry). The main concern was largely political: most folk revival was ...
The emergent mass media (film, radio, television and recorded music) created a global culture that could ignore national frontiers. Literacy became almost universal, encouraging the growth of books, magazines and newspapers. The influence of cinema and radio remained, while televisions became near essentials in every home.
The Japanese musical art, in particular Western influences on its music and culture, have been insufficiently explored. [ 18 ] The main aspect of her creative and scholarly activities is determined by developing a fruitful dialogue between Western and Eastern cultures. [ 19 ]