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A cantilever in a traditionally timber framed building is called a jetty or forebay. In the southern United States, a historic barn type is the cantilever barn of log construction. Temporary cantilevers are often used in construction. The partially constructed structure creates a cantilever, but the completed structure does not act as a cantilever.
Bioart is an art practice where artists work with biology, live tissues, bacteria, living organisms, and life processes. Using scientific processes and practices such as biology and life science practices, microscopy , and biotechnology (including technologies such as genetic engineering , tissue culture , and cloning ) the artworks are ...
Biological illustration is the use of technical illustration to visually communicate the structure and specific details of biological subjects of study. This can be used to demonstrate anatomy , explain biological functions or interactions, direct surgical procedures, distinguish species, and other applications.
Santiago Calatrava Valls (born 28 July 1951) is a Spanish-Swiss architect, structural engineer, sculptor and painter, particularly known for his bridges supported by single leaning pylons, and his railway stations, stadiums, and museums, whose sculptural forms often resemble living organisms. [1]
Biomorphist art focuses on the power of natural life and uses organic shapes, with shapeless and vaguely spherical hints of the forms of biology. Biomorphism has connections with Surrealism and Art Nouveau .
An oeil-de-boeuf (French: [œj.də.bœf]; English: "bull's eye"), also œil de bœuf and sometimes anglicized as ox-eye window, is a relatively small elliptical window, typically for an upper storey, and sometimes set in a roof slope as a dormer, or above a door to let in natural light.
The Nakagin Capsule Tower in Tokyo displayed small apartment units (capsules) attached to a central building core.. Metabolism (Japanese: メタボリズム, Hepburn: metaborizumu, also shinchintaisha (新陳代謝)) was a post-war Japanese biomimetic architectural movement that fused ideas about architectural megastructures with those of organic biological growth.
In archeology and art history the appearance, and sometimes disappearance, of monumental sculpture (using the size criterion) in a culture, is regarded as of great significance, though tracing the emergence is often complicated by the presumed existence of sculpture in wood and other perishable materials of which no record remains; [7] the totem pole is an example of a tradition of monumental ...