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How to Make Love to a Negro Without Getting Tired (French: Comment faire l'amour avec un nègre sans se fatiguer) is a 1989 French-language Canadian drama film directed by Jacques W. Benoit [], starring Isaach de Bankolé and Maka Kotto, and written by Haitian author Dany Laferrière based on his novel of the same name. [1]
Video and film director Michel Gondry has made extensive use of split screen techniques in his videos. One notable example is "Sugar Water" - Cibo Matto (1996), where one side of the screen shows the video played normally, and the other side shows the same video played backwards. Through careful and creative staging the two sides appear to ...
A video tape recorder (VTR) is a tape recorder designed to record and playback video and audio material from magnetic tape. The early VTRs were open-reel devices that record on individual reels of 2-inch-wide (5.08 cm) tape.
A 14-inch reel of 2-inch quad videotape compared with a modern-day MiniDV videocassette. Both media store one hour of color video. The first commercial professional broadcast quality videotape machines capable of replacing kinescopes were the two-inch quadruplex videotape (Quad) machines introduced by Ampex on April 14, 1956, at the National Association of Broadcasters convention in Chicago.
Screenlife or computer screen film is a form of visual storytelling in which events are shown entirely on a computer, tablet or smartphone screen. It became popular in the 2010s owing to the growing impact of the Internet and mobile devices. Within a video essay, the format is often called desktop documentary.
Video is an electronic medium for the recording, copying, playback, broadcasting, and display of moving visual media. [1] Video was first developed for mechanical television systems, which were quickly replaced by cathode-ray tube (CRT) systems, which, in turn, were replaced by flat-panel displays of several types.
It was among the first video formats to contain the videotape inside a cassette, as opposed to the various reel-to-reel or open-reel formats of the time. The videotape is 3 ⁄ 4 in (19 mm) wide, so the format is often known as " three-quarter-inch " or simply "three-quarter", compared to open reel videotape formats in use, such as 1 in (25 mm ...
The film was shot in Paris and in the Yonne department, including the communes Collemiers, Sens and Pont-sur-Yonne. Julie's house in the film is located in Collemiers, a commune familiar to the director Éric Gravel, who lives in the Sens area, and whose many residents – like Julie – commute to Paris by train every day for work.