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Siegfried Rapp (1917 - 1977) was a German pianist who lost his right arm during World War II and then focused on the left-hand repertoire. He is now mainly remembered for being the first to perform Prokofiev's Piano Concerto No. 4 for the Left Hand, Op. 53.
This is a list of composers who have written music about the Holocaust, or who were directly influenced by the holocaust. This list is alphabetical by name. This list is alphabetical by name. This is a dynamic list and may never be able to satisfy particular standards for completeness.
Arseny Mikhailovich Avraamov (Russian: Арсений Михайлович Авраамов) (1884, Novocherkassk, Russian Empire - 1944, Moscow, USSR) was an avant-garde Russian composer and music theorist. He studied at the music school of the Moscow Philharmonic Society, with private composition lessons from Sergey Taneyev.
For 80 years, the haunting melodies of Auschwitz lay buried in silence, hidden among the archives of one of history’s darkest chapters.. Now, for the first time, this lost music – composed by ...
His work was influenced by Alois Hába, Arnold Schoenberg, Alban Berg, and particularly Leoš Janáček. He used melody from Janáček's Zápisník zmizelého as a theme in his Divertimento (1940). Recordings on Northeastern and on Koch International Classics, for example, have allowed modern listeners to evaluate the quality of his ...
In 1919, he was demobilized and worked as an official in the administration until 1927. That same year, he co-founded in Potsdam the Ritterschaftsorchester (the Knights' Orchestra), where he was composer and lyricist. After the Nazis seized power, Niel, in 1933, [2] joined their party as member 2,171,788. [3]
Bernard William George Rose OBE FRCO (9 May 1916 – 21 November 1996) was a British organist, soldier, composer, and academic.. A graduate of Cambridge University, he is best known for his compositions of Anglican church music; his Preces and Responses, for use in the Anglican services of Mattins and Evensong, is widely performed.
The nineteenth century introduced a change in economic circumstances in Germany. The rise of industrialization and urban expansion introduced a new marketplace for music. . Individuals were able to participate within the music culture as small social clubs and orchestras were easily able to purchase sheet music and instrumen