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Siegfried Rapp (1917 - 1977) was a German pianist who lost his right arm during World War II and then focused on the left-hand repertoire. He is now mainly remembered for being the first to perform Prokofiev's Piano Concerto No. 4 for the Left Hand, Op. 53.
This is a list of composers who have written music about the Holocaust, or who were directly influenced by the holocaust. This list is alphabetical by name. This list is alphabetical by name. This is a dynamic list and may never be able to satisfy particular standards for completeness.
For 80 years, the haunting melodies of Auschwitz lay buried in silence, hidden among the archives of one of history’s darkest chapters.. Now, for the first time, this lost music – composed by ...
Arseny Mikhailovich Avraamov (Russian: Арсений Михайлович Авраамов) (1884, Novocherkassk, Russian Empire - 1944, Moscow, USSR) was an avant-garde Russian composer and music theorist. He studied at the music school of the Moscow Philharmonic Society, with private composition lessons from Sergey Taneyev.
Jehan-Aristide Paul Alain [a] ([ʒɑ̃ aʁist alɛ̃]; 3 February 1911 – 20 June 1940) was a French organist, composer, and soldier.Born into a family of musicians, he learned the organ from his father and a host of other teachers, becoming a composer at 18, and composing until the outbreak of the Second World War 10 years later.
The nineteenth century introduced a change in economic circumstances in Germany. The rise of industrialization and urban expansion introduced a new marketplace for music. . Individuals were able to participate within the music culture as small social clubs and orchestras were easily able to purchase sheet music and instrumen
Bernard William George Rose OBE FRCO (9 May 1916 – 21 November 1996) was a British organist, soldier, composer, and academic.. A graduate of Cambridge University, he is best known for his compositions of Anglican church music; his Preces and Responses, for use in the Anglican services of Mattins and Evensong, is widely performed.
While the word "invasion" was used by commentators in numerous articles and reviews, Shostakovich never used it to describe the episode or theme. "I did not set myself the goal of a naturalistic depiction of military action (the roar of planes, the crash of tanks, cannon fire). I did not compose so-called battle music.