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The Electric Kool-Aid Acid Test is a 1968 nonfiction book by Tom Wolfe [2] written in the New Journalism literary style. By 1970, this style began to be referred to as Gonzo journalism, a term coined for the work of Hunter S. Thompson.
Wolfe began his career as a regional newspaper reporter in the 1950s, achieving national prominence in the 1960s following the publication of such best-selling books as The Electric Kool-Aid Acid Test (an account of Ken Kesey and the Merry Pranksters) and two collections of articles and essays, The Kandy-Kolored Tangerine-Flake Streamline Baby ...
The Pump House Gang was published on the same day in 1968 as The Electric Kool-Aid Acid Test, Wolfe's story about the LSD-fueled adventures of Ken Kesey and the Merry Pranksters. [3] They were Wolfe's first books since The Kandy-Kolored Tangerine-Flake Streamline Baby in 1965 which, like The Pump House Gang, was a collection of Wolfe's essays.
This trip, described in Tom Wolfe's The Electric Kool-Aid Acid Test (and later in Kesey's unproduced screenplay, The Furthur Inquiry), was the group's attempt to create art out of everyday life and to experience roadway America while high on LSD. [35]
During 1964, Cassady served as the main driver of the bus named Furthur on the iconic first half of the journey from San Francisco to New York, which was immortalized by Tom Wolfe's book, The Electric Kool-Aid Acid Test (1968).
The Electric Kool-Aid Acid Test, by Tom Wolfe, 1968, about Ken Kesey and the Merry Pranksters; We Are the People Our Parents Warned Us Against: The Classic Account of the 1960s Counter-Culture in San Francisco by Nicholas Von Hoffman, 1968; The Politics of Ecstasy, by Timothy Leary, 1968. Revolution for the Hell of It, by Abbie Hoffman, 1968.
His memoir, Famous People I Have Known, humorously recollects many of his Prankster experiences, and Tom Wolfe's bestseller, The Electric Kool-Aid Acid Test, gave it worldwide notoriety. [2] In 1968, he signed the "Writers and Editors War Tax Protest" pledge, vowing to refuse tax payments in protest against the Vietnam War. [3]
These free-form parties introduced many people on the West Coast to LSD for the first time, as documented in Tom Wolfe's The Electric Kool-Aid Acid Test and Phil Lesh's Searching for the Sound. Acid historian Jesse Jarnow describes how Grateful Dead concerts served as the United States' primary distribution network for LSD in the second half of ...