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Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.
The origin and nature of "Boogie Stop Shuffle" is self-explanatory: a twelve-bar blues with four themes and a boogie bass backing that passes from stop time to shuffle and back. "Self-Portrait in Three Colors" was originally written for John Cassavetes' first film as director, Shadows, but was never used (for budgetary reasons).
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key.
In a song review for AllMusic, Bill Dahl commented: "No respectable blues band would dare mount a stage without having 'Hide Away' in their arsenal as their principal instrumental break song. So rousingly recognizable is its galloping shuffle groove and stinging melody that it has reigned as the blues set-closer for several decades."
"Farther Up the Road" or "Further on Up the Road" is a blues song first recorded in 1957 by Bobby "Blue" Bland. It is an early influential Texas shuffle and features guitar playing that represents the transition from the 1940s blues style to the 1960s blues-rock style.
"Tombstone Blues" is a song by American singer-songwriter Bob Dylan, which was released as the second track on his sixth studio album Highway 61 Revisited (1965). The song was written by Dylan, and produced by Bob Johnston .
Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
The album marked Scaggs's commercial zenith, a mix of pop rock ("Jump Street" and "Lido Shuffle"), soul ("What Can I Say" and "Lowdown"), and ballads ("Harbor Lights" and "We're All Alone", which became a hit for Rita Coolidge). Scaggs wrote "Jump Street" 10 minutes before recording it, only having a rough idea of the lyrics.