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There are also minor twelve-bar blues, such as John Coltrane's "Equinox" and "Mr. P.C.". [10] The chord on the fifth scale degree may be major (V 7) or minor (v 7). [10] Major and minor can also be mixed together, a signature characteristic of the music of Charles Brown. [11]
Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
502 Blues is a jazz standard composed in 1958 by Jimmy Rowles. The composition is best known through Wayne Shorter's rendition on his 1967 album, Adam's Apple . [ 1 ]
"All Your Love" is a moderate-tempo minor-key twelve-bar blues with Afro-Cuban rhythmic influences. An impromptu song "apparently dashed off ... in the car en route to Cobra's West Roosevelt Road studios", [2] it borrows guitar lines and the arrangement from "Lucky Lou", a 1957 instrumental single by blues guitarist Jody Williams. [3]
Though the blues scale has "an inherent minor tonality, it is commonly 'forced' over major-key chord changes, resulting in a distinctively dissonant conflict of tonalities". [4] A similar conflict occurs between the notes of the minor scale and the minor blues scale, as heard in songs such as "Why Don't You Do Right?", "Happy" and "Sweet About Me".
The sixteen-bar blues can be a variation on the standard twelve-bar blues or on the less common eight-bar blues.
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A major feature of the blues scale is the use of blue notes—notes that are played or sung microtonally, at a slightly higher or lower pitch than standard. [5] However, since blue notes are considered alternative inflections, a blues scale may be considered to not fit the traditional definition of a scale. [6]