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In 2015 Hovannisian recorded an Armenian lullaby, "Ari Im Sokhag", with Serj Tankian, the lead vocalist of Grammy Award winning rock band System of a Down. [1] The song became the soundtrack of the film 1915 , a psychological thriller about the Armenian genocide .
Gondola no Uta (ゴンドラの唄, "The Gondola Song") is a 1915 romantic ballad [1] that was popular in Taishō period Japan.Lyrics were written by Isamu Yoshii, melody by Shinpei Nakayama.
Armenian lullabies of the modern era, from the Urban Folk genre, include Ari, Im Sokhak (Come, My Nightingale), Anush Knik (Sweet Sleep), and Nazei Oror (Lullaby of Naze), the latter telling of the horrors of the Armenian genocide: The caravan passed With a burden of tears And in the black desert Fell to its knees Exhausted Ah, with the pain of ...
Itsuki Lullaby (in Japanese: 五木の子守唄 Itsuki no komoriuta) is a lullaby known widely in Japan, and is a folk song representative of Itsuki Village, Kuma District, Kumamoto Prefecture, on Kyūshū Island.
[2] The word "arirang" itself is nonsensical and does not have a precise meaning in Korean. [25] While the other lyrics vary from version to version, the themes of sorrow, separation, reunion, and love appear in most versions. [4] [26] The table below includes the lyrics of "Standard Arirang" from Seoul. The first two lines are the refrain.
Ōharae no Kotoba (Japanese: 大祓のことば) is a norito (Shinto prayers or congratulatory words) used in some Shinto rituals. [1] It is also called Nakatomi Saimon, Nakatomi Exorcism Words, or Nakatomi Exorcism for short, because it was originally used in the Ōharae-shiki ceremony and the Nakatomi clan were solely responsible for reading it.
Kishidan (氣志團) is a Japanese rock band. They have a retro image, wearing Japanese school uniforms in the style of bōsōzoku. The lead singer, Sho Ayanokoji (often styled as "Show Ayanocozey"), was DJ Ozma, until he retired in December 2008. Kishidan announced a "comeback", after a three-year break, on January 27, 2009.
The lyrics to "It's No Game (No. 1)" are spoken in Japanese by Michi Hirota, with Bowie screaming the English translation "as if he's literally tearing out his intestines", according to NME editors Roy Carr and Charles Shaar Murray. [8] O'Leary cites this as reminiscent of John Lennon's performance on Plastic Ono Band (1970). [2]